Matana Roberts beschreibt ihre Kombination aus Instrumentalmusik, Gesang, Spoken Word und visueller Bildersprache als „panoramic Sound-Quilting“. In ihrem exklusiven Video für das Jazzfest Berlin, bei dem sie bereits vor vier Jahren zu Gast war, hat sie zudem eine unmissverständliche gesellschaftspolitische Botschaft.
Verfügbar ab 30. Oktober 2020
“stay true…” she said
a sonic meditation on American state sanctioned violence.
My country tis of thee…
sweet land of trigger happy stolen liberties...
Eleanor Bumpers was behind in her rent
Deborah Danner had a bat
Alberta Spruill was simply frightened
Korryn Gaines was given unfinished paperwork
Tanisha Anderson was bipolar
Michelle Cusseaux had a hammer
Charleena Lyles tried to do the right thing
Pearlie Golden was 93
Kayla Moore was suffocated
Duanna Johnson was trans
Aiyana Stanley-Jones was 7
Rekia Boyd was standing free
Mya Hall took a wrong turn
Miriam Carey swerved
Atatiana Jefferson was trying to be a fun auntie
Natasha McKenna was restrained with shackles, handcuffs and a hood
Kyam Livingston was ignored
Sandra Bland was direct.
Breonna Taylor was asleep.
there are names missing, of course
who’s next to be seen splayed, butchered, yet somewhat unseen on yr chosen screen?
protect black women.
stay true or stay complicit...
Video, Musik, Text Matana Roberts