MaerzMusik
Julius Eastman, 1980 © Andrew Roth
Julius Eastman, 1980

Opening – Julius Eastman

Julius Eastman

Prelude to the Holy Presence of Joan d’Arc
for solo voice (1981) GP

Holy Presence of Joan d’Arc
for 10 cellos (1981) GP

Gay Guerrilla
Version for 16 electric guitars by Dustin Hurt (1979/2017) GP

Buddha
Version for ensemble (1984) GP

Femenine
for ensemble (1974) GP

Sofia Jernberg voice “Prelude to the Holy Presence of Joan d’Arc”

Mira Abu El Assal, Sophia Bacelar, Ulrike Brand, Arthur Cambreling, Zoé Cartier, Sara Grotzki, Anton Lukoszevieze, Susanne Szambelan, N.N., N.N. cello “Holy Presence of Joan d’Arc”
Anton Lukoszevieze conductor “Holy Presence of Joan d’Arc”

Arne Braun, Stefan Degel, Worten Duun Aarup, Arno Grußendorf, Seth Josel, Roman Klobe, Oren Levanon, Francisco Ramírez Jessen, David Riaño Molina, Sigmund Rygh Seljebø, Paul Santner, Daniil Zverkhanovskyi electric guitar “Gay Guerrilla”
Fyodor Stepanov, Belal Hammour, Elias Weber, Alexander Will electric bass “Gay Guerrilla”
Seth Josel conductor “Gay Guerrilla”

Apartment House ensemble “Budda” and “Femenine”
Kerry Yong, piano
Mark Knoop, keyboard
Simon Limbrick, percussion
Gavin Morrison, Emma Williams, flute
Gordon MacKay, violin
Anton Lukoszevieze, cello

Right thought, speech and action are now my main concerns. No other thing is as important or as useful. Right thought, Right speech, Right action, Right music.
Julius Eastman

MaerzMusik continues its exploration of the complex legacy of Julius Eastman (1940–1990). The Afro-American composer, musician and performer takes centre stage in the multi-part project “We Have Delivered Ourselves from the Tonal – Of, with, towards, on Julius Eastman”, developed by MaerzMusik together with SAVVY Contemporary. The focus lies not solely on rediscovering Eastman’s much-neglected original compositions. Rather, the aim is to conduct a current reading of Eastman – as a multifaceted artist, as a political being, and as a spiritual person – by means of an exhibition, performances, concerts and a symposium.

The opening concert presents German premieres of important Eastman works from the 1970s and 1980s, ranging from solo voice to ten violoncellos, 16 electric guitars and ensemble. An evening rich in intoxicating, postminimalist sonic textures.

In collaboration with University of the Arts and Academy of Music Hanns Eisler / Jazz Institute Berlin

A project by SAVVY Contemporary and MaerzMusik – Festival for Time Issues.
Funded by the German Federal Cultural Foundation

Logo Kulturstiftung des Bundes

23.03 – 25.03.2018 SAVVY Contemporary / silent green Kulturquartier
Julius Eastman exhibition and symposium

Tickets & Dates

Opening – Julius Eastman

Venue:

Haus der Berliner Festspiele

Price/Category:

€ 25

Dates: