Monteverdi 450

RIAS Kammerchor

Monteverdi 450
Inaugural concert
RIAS Kammerchor chief conductor Justin Doyle

Pope Francis celebrates the mass, 4 November 2016

Pope Francis celebrates the mass, 4 November 2016. Photographer: Evandro Inetti

© picture alliance / ZUMA PRESS

Past Dates

Work introduction 1 hour prior to the concert

An appreciation of Claudio Monteverdi would be one-sided without his spiritual compositions. In the thirty years that he served as the chapel master of San Marco in Venice, his main profession was officially church musician, and in the two decades he spent at the court of Mantua, he was also responsible for good music in the surrounding churches. In comparison to the Roman Curia, his northern Italian residence offered greater freedom than other principalities. The liturgy of the church services and their artistic arrangement was not entirely subject to Papal decrees, but preserved its own style. Thus, the spirit of artistic experimentation was enhanced in the spiritual realm as well. Monteverdi’s “Vespers for the Blessed Virgin”, written in his last years in Mantua, was considered an avant-garde composition with long-lasting impact owing to its concertante elements. The composer published them together with his “In illo tempore” mass, which he kept almost ostentatiously in the “old” sanctioned style. Themes from Nicolas Gombert’s motet “In illo tempore” form its musical backbone.

The RIAS Kammerchor, who have long been an authoritative ensemble in early music throughout the world, will perform the two contrasting pieces – the extreme poles in Monteverdi’s style – in two neighbouring, but disparate locations: the mass will be played at the St. Hedwig Cathedral, the principle church of the diocese in in Berlin, and the “Vespers for the Blessed Virgin” in the Pierre Boulez Saal, the spectacular new venue in Berlin’s cultural scene.

Claudio Monteverdi [1567-1643]
Vespro della Beata Vergine (Vespers for the Blessed Virgin)
for choir, solo voices and orchestra [1610]

A RIAS Kammerchor event
in cooperation with the Pierre Boulez Saal
and Berliner Festspiele / Musikfest Berlin