Concert Film / On Demand

Environment – Opening MaerzMusik 2021

The acousmatic and filmic composition “Environment”, an extraordinary project by PHØNIX16 and the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN), reflects their intense experiences of living and working together under quarantine during the spring of 2020.

Wiphala, rainbow flag

Wiphala. Rainbow flag, symbol of indigenous peoples in Bolivia, Peru and elsewhere

© Sinéad Cullen (

Strobe effects are used during the performance. At certain lightning frequencies, epileptic seizures may be triggered. Epileptics or those at risk of epilepsy should stay away from the stroboscopic illumination area.

84 days is the length of time the 25 musicians of the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) spent in enforced quarantine in Music Academy Rheinsberg near by Berlin together with PHØNIX16 during the spring of 2020. Having arrived shortly before the beginning of the festival in order to prepare the opening project for MaerzMusik 2020, they became victims of the rapidly spreading COVID-19 pandemic. The festival had to be cancelled, borders were immediately closed and travel suspended. What began as a remarkable musical encounter between the two ensembles became an intense experience of living and working together under extreme conditions – 84 days that have also had a deep impact on the artistic process, the form and themes of their project “Environment”.

One extraordinary year later MaerzMusik 2021 will present ‘Environment’ in its new, adapted form that has been shaped by the continued progress of the pandemic. The musicians of OEIN cannot be present in person; public health measures make a live performance impossible. “Environment” has turned into an acousmatic and filmic composition for voices, indigenous instruments, trumpet, innenklavier, percussion, kinetic sound sculptures and video. A work from many layers of material carrying within them the collective experience of the pandemic as well as reflecting contemporary experiences of their surroundings, environment and milieu: socially, in relation to nature, politically, philosophically, acoustically and as artistic forms and practices.

In addition to the two-hour stage production – presented in two different film versions – we show a series of artistic film and video works that were created in the course of the 84-day enforced stay at Rheinsberg Music Academy.


Bernard Parmegiani
De Natura Sonorum
[a] live version for voices and indigenous instruments (1975/2020)
World premiere

Marisol Jiménez
Cantos del Arenal
for voices, trumpet, innenklavier, percussion and kinetic sound sculptures (2020)
World premiere

Carlos Gutiérrez Quiroga
en lo mas efcuro della, quando no haze luna, ni fe parece nada
for indigenous instruments (2020)
World premiere

Beatriz Ferreyra
Rios del Sueño
[a] live version for voices and indigenous instruments (1998 – 2000 / 2020)
World premiere


Orquesta Experimental de Instrumentos Nativos (OEIN)

Timo Kreuser concept & artistic director
Carlos Gutiérrez Quiroga director OEIN
Beatriz Ferreyra, Alexis Baskind, Carlo Grippa, Kassian Troyer Klangregie / sound design
Philipp Hartmann, Miguel Hilari films
Komposter Kollektiv (Luka Umek, Akaša Bojič) Vvideo
Alice Biemann lighting design
Sonia Lescène, Katja Heldt head of production

With the support of Goethe Institut, Musikfonds e. V. / BKM, Ernst von Siemens Musikstiftung, Berliner Künstlerprogramm des DAAD, Senate Department for Culture and Europe Berlin and Bundes- und Landesmusikakademie Rheinsberg.
In collaboration with Hellerau – European Centre for the Arts Dresden.