Concert & binaural audio livestream
Éliane Radigue

Éliane Radigue: The Electronic Works 10

Transamorem – Transmortem (1973)

In 1974, “Transamorem – Transmortem” premiered at The Kitchen in New York City, where Rhys Chatham was responsible for the music programme. Originally conceived as a sound installation, Éliane Radigue leads the listener through spaces of different frequencies.

Close-up of three tape reels

“Éliane Radigue – Échos”. A film by Éleonore Huisse and François Bonnet, F 2021, film still

© Éleonore Huisse, François Bonnet

Past Dates

To ensure sufficient time for admission and 3G entry check, please arrive at least 30 minutes before the start of the performance (no late admittance).

To celebrate the French music pioneer Éliane Radigue’s 90th birthday, MaerzMusik presents her entire electronic music oeuvre for the first time live. A series of seventeen concerts performed under the sound direction of François Bonnet, aka Kassel Jaeger, spreads across the entire festival. Set in the unique acousmatic environment of the Zeiss-Großplanetarium, this homage attempts to give full access to the enchanting depth of Radigue’s music for loudspeakers created between 1970 and 2000.

“Éliane Radigue was born on January 24th, 1932 in Paris, where she still lives and works today. From her Parisian childhood she will keep the memory of a secret initiation into music, mediated by a prudent piano teacher. Then she will continue with the harp, with singing and composition. But it is through the contact with ‘musique concrète‘, alongside Pierre Schaeffer and later Pierre Henry, that Radigue's music will find its genuine path.
Over more than 50 years there will be three distinct periods, each of them marking a rupture while evoking in its own way an inspired exploration of thresholds, of spaces opening up in intervals, and of a dialogue between listening experience and inner experience, personal history and sensible memory.
The first period (1968–1971) is that of work on feedbacks and re-injections, an embryonic phase already signalling extreme preciseness as well as work on thresholds and threatened equilibriums. The second period that of maturity, and spanning thirty years (1971–2001), is characterised by a fruitful production of electronic compositions, indelibly linking her music to the unique beats of the ARP 2500 synthesizer. This period also initiates the elaboration of long forms with subtle variations that blossom and resonate between the story carried by the music and the test of time necessary for its unfolding. The third period, still ongoing, is that of her acoustic works created in close collaboration with musician-accomplices coming from all horizons, bringing an additional relational dimension to a music, which until then had been constructed solitarily. Throughout her life, Éliane Radigue has developed a candid, demanding and inspiring body of work which today influences a whole new generation of musicians.” (François Bonnet)

“Before the greatest achievement. Before the greatest detachment. At the boundary space of the unconscious – concerted waves – things that are consonant vibrate together. Where is the point of change? In the inner field of perception or the outer reality of moving things in the process of becoming. And time is no longer an obstacle, but the means by which the possible is realised.” (Éliane Radigue)

Éliane Radigue
Transamorem – Transmortem(1973)
Music for loudspeakers / ARP 2500 synthesizer on magnetic tape, 67 min 3 sec

Produced at Éliane Radigue’s studio in Paris in 1973.
Premiered on 9 March 1974 at The Kitchen in New York.

François J. Bonnet sound direction