Nandita Kumar: From Paradigm to Paradigm, Into the Biomic Time

Nandita Kumar’s installation at daadgalerie is playfully reminiscent of a newspaper-press, stuck in an eternal loop. The work comments on the constant regurgitation of misinformed and manipulative facts by individuals and organizations as they influence public opinion to protect their own interests: a reminder to listen closely to the echoes of history and avoid mindlessly replaying the discordant notes of the past.

Nandita Kumar: From Paradigm to Paradigm, Into the Biomic Time

Nandita Kumar: From Paradigm to Paradigm, Into the Biomic Time

© daadgalerie

As the challenges and environmental consequences of climate change are manifested, Nandita Kumar reflects on the knowledge gap between the scientific community, political spheres, and the populace at large. While fake news has plagued climate and environmental science for decades, slowing or completely derailing “progress,” information overload, complexity, and lack of meaning has left people feeling anxious and powerless to enact real environmental change.
Kumar’s work deconstructs political rhetoric related to various environmental issues by collating statements made by influential individuals, politicians, and organizations. Employing the very methods of data manipulation and fake news, the statements were transformed by an algorithmic “haiku” generator in order to produce a poem to accompany each of the untrue statements. Forming a glitching musical code, the resulting ninety-one haikus play out through a forty-foot pianola score. The accompanying digital publication allows the viewer to connect each of the poems to its original statement, alongside expanded essays detailing the truth behind these falsehoods.

The sound installation has been collaboratively developed during Kumar’s DAAD Artists-in-Berlin Program residency and comprises five sonic journeys representing the elements – earth, water, fire, air, and void – and will culminate in a performance that includes voicing the haikus alongside the pianola player, a collage of found sound and live foley with refuse and recycled objects.

“History never repeats itself, but it does often rhyme” – Mark Twain


Merche Blasco, Christian Kesten, Felicity Mangan, Alex Nowitz, Ute Wasserman


Pooja Das co-researcher & co-writer (publication)
Tim Rutherford Johnson publication editor
Priyanka Tagore haiku editor
Shikha Usgaonker graphic desig
Subhadeep Biswas engineer
Matt Gingold Pianola code

Merche Blasco and Nandita Kumar are currently fellows of the DAAD Artists-in-Berlin Program.