Solo and late at night
- Event finishes at approx. 18:30
In “Serynade”, the piano piece Helmut Lachenmann composed between 1997 and 2000, he traces new sounds the instrument can produce, how they might emerge through differentiated touch techniques or a new way of using the pedals. The wordplay in the title of the approximately 30-minute composition alludes to the first letter of the first name of Lachenmann’s wife, Japanese pianist Yukiko Sugawara. This title, however, also places the composition in a series of piano works by other composers, who took up the tradition of the serenade as a form of sophisticated 18th century entertainment music and sublimated it into subtle musical character portraits. English pianist Nicolas Hodges’ repertoire has included Lachenmann’s “Serynade” for over a decade now, and his interpretation has received high praise, not least from the composer himself. In the first part of his piano evening, Hodges presents “Zwei Linien”, a piece that Wolfgang Rihm spent 13 years on as a kind of “work in progress”. The title of the composition reflects Rihm’s focus on the two-part piano works of Johann Sebastian Bach such as the Inventions or Duetti. Rihm used Bach’s music as a starting point for his own creative work, and Hodges highlights this by opening the recital with Bach’s 4 Duetti BWV 802-805.