Georg Nigl

His profound, comprehensive engagement with the musical work, his close connection with spoken theater with its accompanying emphasis on text and rhetoric, and his expressive stage acting have made Georg Nigl into one of the most celebrated baritones worldwide.

Since Nigl’s early childhood , he performed as a soprano soloist at the Wiener Sängerknaben on eminent stages. His studies with the chamber singer Hilde Zadek gave him further important inspiration for his forthcoming career.

Due to his talent for giving roles individual character through his voice and expression, he has performed at all the important opera houses. He has appeared at the Bolshoi Theater Moscow, the Staatsoper Berlin, the Bayerische Staatsoper Munich, the Théâtre des Champs-Elysées in Paris, the Nederlandse Opera Amsterdam and the Théatre de La Monnaie in Brussels as well as at festivals such as the Salzburger Festspiele, the Festival d’Aix-en-Provence, the Ruhrtriennale and the Wiener Festwochen. He has collaborated with renowned conductors such as Daniel Barenboim, Teodor Currentzis, Valery Gergiev, Daniel Harding, Nikolaus Harnoncourt, René Jacobs, Kent Nagano and Kirill Petrenko and Sir Simon Rattle and with directors such as Andrea Breth, Romeo Castellucci, Frank Castorf, Hans Neuenfels, Johan Simons, Peter Sellars, Dmitri Tcherniakov, and Sasha Waltz.

Georg Nigl has won special recognition not only by performing numerous world premieres, but also by serving as an inspiration for or taking part in initiating the creation of compositions and publications by artists such as Friedrich Cerha, Pascal Dusapin, Georg Friedrich Haas, Wolfgang Mitterer, Olga Neuwirth and Wolfgang Rihm.

Georg Nigl’s chamber music repertoire covers a broad spectrum from baroque to Viennese classicism to contemporary music. He frequently performs with Olga Pashchenko, Alexander Melnikov, Andreas Staier and Gérard Wyss and Luca Pinaca. His newest recording “Bach privat” has been awarded a Diapason d’or in November 2017.

As of July 2019

Georg Nigl

© Anita Schmid

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