Clarinettist, composer and conductor Jörg Widmann is one of the most versatile and intriguing artists of his generation. As Carnegie Hall’s 2019/20 Richard and Barbara Debs Composer Chair his work will be focused throughout the season. Further performances see him appear in all aspects as clarinettist, composer and conductor as artist in residence at WDR Sinfonieorchester, at Palau de la Música Barcelona and at Bergen International Festival.
Chamber music performances will see him in concerts with long-standing chamber music partners such as Andras Schiff, Daniel Barenboim, Mitsuko Uchida, Tabea Zimmermann, Antoine Tamestit and the Hagen Quartet at the Schubertiade Schwarzenberg, Salzburg Festival, Carnegie Hall New York and Wiener Konzerthaus amongst others.
Continuing his intense activities as a conductor, Jörg Widmann performs this season with the Ensemble Kanazawa, WDR Sinfonieorchester, Swedish Chamber Orchestra and Hessisches Staatsorchester Wiesbaden. In November 2019 he will lead the Irish Chamber Orchestra as their Principal Conductor on tour through the US and in concerts throughout Europe.
Widmann studied clarinet with Gerd Starke in Munich and Charles Neidich at the Juilliard School in New York. He performs regularly with renowned orchestras, such as Gewandhausorchester Leipzig, Orchestra National de France, Tonhalle-Orchester Zürich, National Symphony Orchestra Washington, Orchestre Symphonique de Montréal, Vienna Philharmonic Orchestra, Netherlands Philharmonic Orchestra and Toronto Symphony Orchestra. He collaborates with conductors such as Daniel Barenboim, Christoph Eschenbach and Christoph von Dohnányi.
Widmann gave the world premiere of Mark Andre’s Clarinet Concerto “über” at the Donaueschinger Musiktage 2015. Other clarinet concerti dedicated to and written for him include Wolfgang Rihm’s “Musik für Klarinette und Orchester” (1999) and Aribert Reimann’s “Cantus” (2006).
Widmann studied composition with Kay Westermann, Wilfried Hiller and Wolfgang Rihm. His works continue to receive many awards such as the prestigious Chamber Music Society of Lincoln Center’s Elise L. Stoeger Prize (2009), the Paul Hindemith Prize in 2001, the Arnold Schönberg Prize by the Vienna Arnold Schönberg Centre and the Deutsches Symphonie-Orchester Berlin (2004) and both the SWR Sinfonieorchester Baden-Baden und Freiburg’s composition award and the Berliner Philharmoniker Academy’s Claudio Abbado Composition Award in 2006.
Widmann’s compositions are performed regularly by conductors such as Daniel Barenboim, Daniel Harding, Valery Gergiev, Kent Nagano, Christian Thielemann, Mariss Jansons, Andris Nelsons and Simon Rattle and premiered by orchestras such as the Wiener and Berliner Philharmoniker, New York Philharmonic, Orchestre de Paris, BBC Symphony Orchestra and many others.
Widmann’s appointment as Daniel R. Lewis Young Composer Fellow at the Cleveland Orchestra established an extraordinary artistic collaboration with the orchestra and its Principal Conductor Franz Welser-Möst including the world premiere of Widmann’s Flute Concerto, “Flûte en suite” in May 2011 followed by its European premiere in 2012/13 by the Berliner Philharmoniker and Emmanuel Pahud under Simon Rattle. Cleveland Orchestra featured “Flûte en suite” as centrepiece in their 2014 European tour, and dedicated an entire evening to Widmann’s works at the Musikfest Berlin 2014. His opera “Babylon” was premiered in 2012/13 at Bayerische Staatsoper under the baton of Kent Nagano.
“Am Anfang” by Anselm Kiefer and Jörg Widmann was premiered in July 2009 as part of the 20th anniversary of the Opéra Bastille, in which Widmann acted as composer, clarinettist and made his debut as conductor.
Widmann was Artist in Residence at leading Festivals and Orchestras such as Lucerne Festival and Salzburger Festspiele, Bamberger Symphoniker, Tonhalle-Orchester Zürich’s creative chair 2015/16, and both BOZAR and Elbphilarmonie’s artist in residence in its opening season. He was featured in Artist Portraits at Vienna’s Konzerthaus, Frankfurt’s Alte Oper and Cologne’s Philharmonie. In the 2017/18 season he was featured as the first ever Gewandhaus Composer in Leipzig’s history.
Widmann is fellow at the Wissenschaftskolleg in Berlin and a full member of the Bayerische Akademie of Schönen Künste, and since 2007, the Freie Akademie der Künste Hamburg, the Deutsche Akademie der Darstellenden Künste and the Akademie der Wissenschaften und der Literatur Mainz. He is professor for composition at the Barenboim-Said Academy, Berlin.
As of May 2020