The New York Times described Robert Wilson as “a towering figure in the world of experimental theatre and an explorer in the uses of time and space on stage.” Born in Waco, Texas, Wilson is among the world’s foremost theatre and visual artists. His works for the stage unconventionally integrate a wide variety of artistic media, including dance, movement, lighting, sculpture, music and text. His images are aesthetically striking and emotionally charged, and his productions have earned the acclaim of audiences and critics worldwide.
After being educated at the University of Texas and Brooklyn’s Pratt Institute, Wilson founded the New York-based performance collective The Byrd Hoffman School of Byrds in the mid-1960s, and developed his first signature works, including “Deafman Glance” (1970) and “A Letter for Queen Victoria” (1974-1975). With Philip Glass he wrote the seminal opera “Einstein on the Beach” (1976). Wilson’s artistic collaborators include many writers and musicians such as Heiner Müller, Tom Waits, Susan Sontag, Laurie Anderson, William Burroughs, Lou Reed and Jessye Norman. He has also left his imprint on masterworks such as Beckett’s “Krapp’s Last Tape”, Puccini’s “Madama Butterfly”, Debussy’s “Pelléas et Melisande”, Brecht/Weill’s “Threepenny Opera”, Büchner’s “Woyzeck”, Jean de la Fontaine’s “Fables” and Homer’s “Odyssey”.
Wilson's drawings, paintings and sculptures have been presented around the world in hundreds of solo and group showings, and his works are held in private collections and museums throughout the world.
Wilson has been honoured with numerous awards for excellence, including a Pulitzer Prize nomination, two Premio Ubu awards, the Golden Lion of the Venice Biennale, and an Olivier Award. He was elected to the American Academy of Arts and Letters and France pronounced him Commandeur des Arts et des Lettres.
Wilson is the founder and Artistic Director of The Watermill Center, a laboratory for performing arts in Watermill, New York.
As of January 2014