With the programme series “The New Infinity” conceived by Thomas Oberender, the Berliner Festspiele examined planetariums as galleries of the future and made the architecturally unique shape of the dome available to visual artists, sound artists, film makers, and game designers as immersive experiential spaces of the present.
Thomas Oberender, director of the Berliner Festspiele and initiator of “The New Infinity” talks about the programme series, planetariums as galleries of the future and the special features of the dome architecture.
