The International Forum is a platform for global collaboration, the initial spark for alliances, actions and the search for an aesthetic movement. 35 young artists from all continents are coming together in Berlin to ask themselves one question together: What does it mean to make progressive art in the 21st century?
The 2022 Fellows
We are particularly pleased that for the first time since 2019, 34 fellows will be able to come to the festival in Berlin. Due to the pandemic, they have waited a long time for this reunion; many artists had already been selected for the International Forum in 2020. Welcome!
Apart from the ten remarkable productions, each year the Theatertreffen invites up to 35 exciting emerging artists from all parts of the world to attend and reflect the festival, to exchange ideas and experiences across artistic and national boundaries and to search for progressive aesthetics for tomorrow in exclusive workshops.
About International Forum
What is making progressive, relevant, political art in the 21st century all about? The International Forum is the Theatertreffen’s background noise, the initial spark for global collaboration, alliances and actions, the platform that searches for a new aesthetic movement. More than 30 young theatre makers from all over the world will come to Berlin, experience art and put their heads together to work towards the future of the theatre. Participants are supported by a fellowship programme and applications are welcome after an open call each autumn.
The International Forum has been running since 1965 (up until 1973 under the title “Begegnung junger Bühnenangehöriger – Meeting of Young Theatre Professionals” then until 2005 under the title “Internationales Forum junger Bühnenangehöriger – International Forum of Young Theatre Professionals”), making it the oldest permanently operating institution of its kind.
While it initially served as an event series providing information and a discussion forum for young professionals from West Germany, the circle of participants expanded in 1970 to include Austria and Switzerland following agreements with these two countries. In 1980, the Goethe-Institut entered into a cooperation that spread the Forum across the whole globe. At the same time, the Forum focus shifted to practical work: after a phase of experimentation until 1975, workshops became an integral part of its programme in 1980. Since 2015, the International Forum has been increasingly open to worldwide social dynamics of development, in order to investigate the role of the theatre as a public political sphere. The Forum’s numerous workshops and discourse events have since then focused on the place of the theatre between the poles of art, politics and society.
From 1965 to 1968 the “Begegnung junger Bühnenangehöriger – Meeting of Young Theatre Professionals” was directed by Joachim Werner Preuß. From 1969 to 2005, it was directed by Manfred Linke. From 2006 to 2014 Uwe Gössel took over the reins, from 2015 to 2017 Daniel Richter. Since 2018 Necati Öziri has been Head of International Forum. Among the 2,000 fellows were Aljoscha Begrich, Hermann Beil, Andrea Breth, Amit Epstein, Carl Hegemann, Tarun Kade, Susanne Kennedy, Barrie Kosky, Sybille Meier, Laila Soliman, Prodromos Tsinikoris, Georg Weinand and Jossi Wieler.
In cooperation with
The International Forum takes place in cooperation with Goethe-Institut and the Swiss Cultural Foundation Pro Helvetia and is supported by the German Stage Association.
Other funding institutions are the Federal Chancellery of Austria, the Cultural Department of the State Capital Munich, the Berlin Senate Department for Culture and Europe, the Hamburg Authority for Culture and Media, the Ministry for Culture and Science of the State of North Rhine-Westphalia, the Ministry for Science and Culture of Lower Saxony, the State Chancellery of the Free State of Thuringia, the Ministry for Education and Culture of Saarland, the Ministry for Science, Research and Culture of Brandenburg and the Cultural Foundation of the Free State of Saxony. This initiative is co-funded by tax money based on the budget approved by the State Parliament of Saxony.