The Stückemarkt presents new authors from all over the world, who express themselves in a wide variety of theatre formats – from dramatic texts to performance project. Where do political awareness, new narratives and poetry come together?
The Stückemarkt searches for new forms of authorship and innovative theatre languages. In an international open call, authors and theatre collectives can submit their theatre texts and projects. A jury of five artists will select five works from among all submissions. The selected works will be presented during the Theatertreffen in a format that corresponds to their artistic form – as guest performances, staged readings, site-specific performances etc.
In 2012, the Stückemarkt began a process of opening itself to a contemporary concept of authorship. Today, the Stückemarkt is looking for new forms of authorship and innovative theatre languages. In an international, open competition, authors can submit both theatre texts and theatre projects that focus on the medium of language. A jury of five artists will select five works from among the submissions. The selected works will be presented in a format that corresponds to their forms – as performances, staged readings, site-specific formats etc.
Texts and Performances Invited to Stückemarkt 2019
What happens after the protest? Five innovative pieces, ambitious both in aesthetics and content, each highlighted different facets of this year’s Stückemarkt-motto and managed to convince the jury.
To the selection
The 2019 Stückemarkt-jury
From among more than 360 submissions from 65 countries, the Stückemarkt-jury selects five works to be presented at the Theatertreffen in May, in a format that is most appropriate to their artistic form. The jury members are: Choreographer and dancer Mette Ingvartsen, dramatist Branden Jacobs-Jenkins, director and dramatist Amir Reza Koohestani, actor Wiebke Puls and dramaturg Maria Nübling
To the Stückemarkt-jury
Open Call 2019
Under the heading “What happens after the protest?” Stückemarkt is searching for work that goes beyond descriptions of a status quo, imagines possible futures and seeks new forms of artistic-activist interference.
To the Open Call 2019
The Stückemarkt at the Theatertreffen is unique. In 1978 it was founded as the first-ever funding initiative for new drama in German-speaking countries. Before then, little support existed for playwrights, there was no platform for unperformed stage plays and there were no writing schools for emerging dramatists. The Stückemarkt aimed first and foremost to introduce new drama into theatre repertoires.
Since its founding, a total of 203 playwrights have participated in the Stückemarkt. Many of these play a defining role nowadays in the new drama of theatre repertoires, starting with Elfriede Jelinek whose play “Was geschah, nachdem Nora ihren Mann verlassen hatte oder Stützen der Gesellschaft” (What Happened After Nora Left her Husband or Pillars of Society) was invited to the festival in its first year and which had hitherto been an insider’s tip in Austria.
During the first twenty years of the festival, the artistic directors of the Stückemarkt annually selected five plays whose premiere rights were still free to present to a wider audience during the Theatertreffen. At that time, there was no jury: the Stückemarkt director was solely responsible for the programme. In 2003 the Stückemarkt widened its selection to include playwrights from all over Europe, and scripts could be submitted in their original language. A contest for unknown playwrights developed out of the presentation of new drama for theatre-makers. Since then, an expert jury has sifted through hundreds of plays, of which five to seven are presented during the Theatertreffen as staged readings. In the past ten years, the Stückemarkt has provided new impetus for the support of dramatists, placed its focus on new and re-discoveries in stage writing: prizes and commissioned works, as well as cooperation with theatre partners and a radio broadcaster have been introduced, an international network has been set up, plays have been translated into English, master classes and dramatist workshops have been carried out and a one-year mentorship for playwrights has been established. With the TT symposium “Schleudergang Neue Dramatik” (New Drama In A Spin) – the Stückemarkt took further steps in collaborating between dramatists and theatres, such as the expansion of playwrights-in-residence. In 2012 the Stückemarkt broadened its definition of authorship: For the first time, projects by theatre collectives were admissible too. A performer-duo was invited to develop its concept in the newly founded project laboratory and to present the result during the Stückemarkt.
On its 35th anniversary in 2013 the Stückemarkt took stock and looked to the future: 35 playwrights who had already been invited to the Stückemarkt were presented once again with a new work. 30 authors wrote short texts on the theme of “Wohin? Verfall und Untergang der westlichen Zivilisation” (Where to? The Decline and Fall of Western Civilisation), including Herbert Achternbusch, John von Düffel, Elfriede Jelinek, Oliver Kluck, Dirk Laucke, Anne Lepper, Philipp Löhle, Wolfram Lotz, Marius von Mayenburg, Roland Schimmelpfennig, Einar Schleef, Werner Schwab and Nis-Momme Stockmann.
In 2014 the festival continued to present new models of authorship that had begun with the project laboratory in 2012 and the festival anniversary in 2013: For the 36th edition of the Stückemarkt, three Theatertreffen mentors went in search of artists developing new forms of theatrical expression. In 2015, the selection process for the Stückemarkt was developed further: A jury of five artists and an open competition were reinstated, and new selection criteria were introduced, applicable to both theatre texts and theatre projects alike. Since 2016, the Stückemarkt has been awarding a commission of work in cooperation with the Federal Agency for Civic Education. With the 2019 Stückemarkt, the competition will be launched for the first time world-wide.