Film / On Demand | Environment

Chuqui Mamani

Wiphala

Wiphala. Rainbow flag, symbol of indigenous peoples in Bolivia, Peru and elsewhere © Sinéad Cullen (www.sineadcullen.com) http://letscreate.sineadcullen.com/index.php/2017/12/20/atlantida/

How do musicians interact and how do they react musically to two screens that are integrated into the body of the ensemble like voices of equal status? This film combines multiple interior and exterior perspectives.

Chuqui Mamani is a film about perspectives that was made during the forced quarantine of the ensembles PHØNIX16 and Orquesta Experimental de Instrumentos Nativos (OEIN) at the Rheinsberg Music Academy. 25 musicians are sitting in a theatre, they are interacting musically, with each other and with two screens in front of them, by means of improvisation. The films projected on the screens are embedded in the social body of improvising musicians as additional voices, like a 26th and 27th personality in the room. The music follows tendencies of the moment as well as traditions of musical and social interaction of the players. Occasionally there are films projected on the entire performance space, reflected by every object and person in the room. The improvising musicians, the screens and the entire space are filmed by a surveillance camera. The surveillance monitor, positioned in another room, is filmed in turn by another camera. People entering and leaving this room and the performance space are reflected on the screen of the surveillance monitor. The surveillance room, the surrounding of the camera itself, becomes a part of the film.

Chuqui Mamami

A film by Timo Kreuser, Sonia Lescène & Orquesta Experimental de Instrumentos Nativos (OEIN)
DE 2020, 127 min
World premiere

With

noiserkroiser (Timo Kreuser, inner piano; Nikolaus Neuser, trumpet) & Orquesta Experimental de Instrumentos Nativos (OEIN)
Timo Kreuserfilm
Alice Biemannlight
Alexis Baskindsound
Guillaume Cailleau & Timo Kreusermontage