Music Theatre | Music + Text
Robert Ashley
Robert Ashley's new opera, Celestial Excursions, is electronically innovative, socially provocative and incorrigibly musical-theatrical. It focuses on homeless people – whom he calls ‘old people’ – and their way of speaking, of communicating without communicating. ‘I am interested in the totality of their speech – or, to be more precise, the totality of their thoughts, not really the sounds. I am fascinated by the many stories (monologues) that are all told at the same time.’ The sung stories of the ‘old people’ chase each other in a highly sophisticated vocal technique that has matured over many years and which Ashley has never before applied with such consistency. The special style of speech clothes the word arabesques in a recitative shell that sometimes seems polished. ‘The result of this technique is a layering in unison or harmony of the voices, whereby each of them strangely retains its own character, so that the listener can follow them through the sequence of their entries, their story, so to speak.’
Robert Ashley is no stranger to Berlin, having performed there previously. His new opera is eagerly awaited, as is the silent character Joan Jonas.
‘Celestial Excursions’ plays out in astonishingly unexplored territory – a wild mixture of memory, regret, love, nightmares, old proverbs, pop songs on the radio – all seemingly without any purpose other than the musical-theatrical purpose of relentless speed and precision in ensemble singing and a stage magic that is inherent in illusion and hallucination: a physically altered state of the senses and simple “mistakes”.
(Robert Ashley)
Robert Ashley
Celestial Excursions (2002)
WP/CW MaerzMusik and Hebbel-Theater Berlin
Robert Ashley – music and Libretto
Sam Ashley, Thomas Buckner, Jacqueline Humbert, Joan La Barbara, Robert Ashley – singers
Joan Jonas – The Silent Character
„Blue“ Gene Tyranny – piano
David Moodey – lighting design
Tom Hamilton – live electronics and sound direction
Cas Boumans – sound enginieering and technical coordination
Melanie Lipka – stage master
Nancy Foote – stage assistant
Bénédicte Pesle – European representation
A co-production of Hebbel-Theater Berlin, MaerzMusik / Berliner Festspiele und Performing Artservices Inc., Mimi Johnson, New York
Supported by Fund for U.S. Artists at International Festivals and Exhibtions, National Endowment of the Arts, Rockefeller Foundation und Pew Charitable Trusts. Supported by the Doris Duke Charitable Foundation. Administration Arts International