Concert | Schule machen: Open Your Ears
Spots & Birds and Telephones
Without the discovery of normal life, the history of modern art would not only have taken a different course: it would probably not have happened at all. ‘Life is art - art is life’ was an essential maxim formulated by Fluxus and happening artist Wolf Vostell in the early 1960s. And it applies to the entire 20th century and beyond to this day. New music has nimbly followed the rapid excursions into everyday life and has been experimenting intensively for decades with all kinds of materials that were originally created for purposes other than actually making music.
Listing them all might not be beyond the scope of the world wide web, but it could clog up many a server. Just look around wherever you happen to be. Everything you see has certainly already had its aesthetic place on the stage of new music. And if, by chance, it hasn't, then it hasn't yet. The artists' and musicians' excursions into normal life, including the sounds of nature, will not end any time soon, if ever. And why should they?
The artistic excursions bring great finds to cultural light, change thinking, perception and sensitivity towards banal things, they sharpen awareness of everyday environments and situations. John Cage (1912-1992) is the composer who made ground-breaking achievements in this sector.
Many of his works are based on concrete experiences of everyday life and nature. ‘Branches’ (1976) is one such piece, which deals with the sounds of plants and floral materials. ‘Telephones and Birds’ (1977) is another. Of course, the title says it all, it's about telephones and birdsong. The series of Cage's everyday exploration music could go on for pages, but he did not only write such pieces.
In many of his compositions, such as ‘Variations II’ (1961), he also focussed on social interaction when making music. Here, the musicians first have to create their own voices before they can get started: Printed transparencies are to be placed randomly on top of each other in order to determine the individual pieces of information for later playing. The composer doesn't care what the music is then made with, and the number of players is just as free. These three experimental pieces of music by John Cage and two further, equally multimedia works by composer Frederic Rzewski are at the centre of the current student project ‘Open your Ears’ at the Konzerthaus Berlin. The artistic mentors are the musicians of the renowned Kammerensemble Neue Musik Berlin. They have worked intensively with groups of Berlin schoolchildren on the pieces and organised the concert evening. It was undoubtedly a lavish evening for the young people. After all, the electrical equipment required, such as microphones, amplifiers, loudspeakers and video projectors (self-made adverts are shown), demand a great understanding of technology and music. The teams of students taught themselves all of this - and of course how to perform the pieces themselves - under the guidance of the KNM Berlin and have thus become part of everyday musical life at MaerzMusik.
In addition to the pieces already mentioned, some of which will be performed with the musicians from KNM Berlin, the ensemble itself will also play John Cage's ‘Variations I’ (1958) and Alvin Lucier's iridescent and floating string quartet ‘Navigations’ (1992).
John Cage
Branches (1976)
Telephones and Birds (1977)
Variations I (1958)
Variations II (1961)
Alvin Lucier
Navigations for Strings (1991)
Frederic Rzewski
Chains (1986), excerpts
Spots (1986), excerpts
Kammerensemble Neue Musik Berlin
and young people from Berlin schools
Thomas Bruns – artistic director, concept
Jörg Herrmann – head of video project
Konzerthaus Berlin in cooperation with MaerzMusik I Berliner Festspiele