Nelisiwe Xaba

Born and raised in Dube, Soweto Nelisiwe Xaba began her vibrant career in dance almost 20 years ago. In the early 1990s she received a scholarship to study at the Johannesburg Dance Foundation, as well as the Rambert School of Ballet and Contemporary Dance in London. Returning to South Africa in 1997, Xaba joined Pact Dance Company and later launched her solo career, and began working with a variety of esteemed choreographers, including Robyn Orlin. Since then Xaba has been involved in various multi-media projects, collaborating with visual artists, fashion designers, theatre and television directors, poets and musicians. Xaba’s seminal works such as “Plasticization” and “They Look At Me & That’s All They Think” have toured to various parts of the world for the past several years. The latter piece, inspired by the Hottentot Venus (Sara Baartman) saw Xaba collaborate with fashion designer Carlo Gibson of Strangelove. In 2008, Xaba collaborated with Haitian dancer and choreographer Ketty Noel to create a duet titled “Correspondances” – a satirical look into the politics of women to women relationships, which toured to various countries in South America, Europe and Africa. Her piece “Black!..White?” premiered in Paris in 2009. In the same year Xaba produced “The Venus”, combining two of her solo pieces, the earlier work “They Look At Me” and “Sakhozi says non to the Venus”, originally commissioned by the Musee du Quai Branly. A performance by Xaba formed part of Imaginary Fact – Contemporary South African Art and the Archive at the South African pavilion exhibition at the 2015 Venice Biennale.

As of June 2016