Performance

Marina Abramović: Balkan Erotic Epic. The Stage Version

German premiere

World premiere of the immersive hangar version: 9 October 2025, Factory International, Manchester
World premiere of the stage version: 24 January 2026, Gran Teatre del Liceu, Barcelona

A person dances on grass in traditional clothing, arms extended in a dynamic pose.

Balkan Erotic Epic © Berliner Festspiele

With Balkan Erotic Epic, performance icon Marina Abramović returns to her roots – transforming Balkan myths into a rapturous ritual of body, shame and life force. An intense invocation of the erotic as a source of energy, insight and community.

Berliner Festspiele, celebrating their 75th birthday in 2026, present Marina Abramović: Balkan Erotic Epic. The Stage Version is a highlight of this anniversary year’s programme. The artist’s exhibition of the same name, Marina Abramović: Balkan Erotic Epic. The Exhibition, opened in spring at Gropius Bau. 


To ensure the protection and safety of the performers, as well as full immersion in Balkan Erotic Epic, the use of mobile phones is not permitted. Mobile phones will be placed in security pouches that will be locked during the performance.


There are indicationsof sensitive and/or health-relevant content.

With Balkan Erotic Epic, Marina Abramović presents one of the most radical and at the same time sensuous works of her career. The great pioneer of performance art returns to her roots – unleashing a new, collective energy out of it. Inspired by the erotic rituals and folk myths of the Balkans, her homeland, the artist creates a polyphonic hymn to life force: raw, archaic, overwhelming.

Balkan Erotic Epic is more than a performance – it is a conjuring. Building on her 2005 video work of the same name, Abramović unfolds a powerful new work exploring female energy, shame, desire, and the relationship between body and history. Premiered as an immersive performance in Manchester in October 2025, the Performing Arts Season will present the stage version of Balkan Erotic Epic in 2026 for the first time in Germany.

Singers, dancers and musicians bring to life a sequence of scenes oscillating between celebration, prayer and liberation. Bodies enact a feverish ritual, writhing on the ground in a desperate call for fertility. Women massage their bare breasts to awaken the earth, or bare themselves under the open sky to ward off storms. Here, eroticism appears not as allure but as primal force, a language beyond shame, morality and control.

As in earlier key works – the physically extreme cleansing ritual Balkan Baroque (1997) or the silent encounter The Artist is Present (2010) – Abramović probes the boundaries between body, consciousness and audience. But where she once confronted her audience with a quiet, singular presence, here she unfolds a collective physical experience of a new dimension and complexity.

Balkan Erotic Epic connects to the spiritual and political power of Abramović’s oeuvre while ushering it into a new phase: more communal, sensuous and ritualistic. She returns to the myths and tensions of her homeland, where eroticism, pain and belief intersect. It is a return to origins – and simultaneously a departure toward a future in which the erotic becomes a source of insight, healing and power.

Born in Belgrade in 1946, Marina Abramović is a central figure in performance art. Since the 1970s, she has rigorously explored the limits of body, pain, endurance and presence. In her early works, she put her own life and body at risk (Rhythm 0, 1974). Together with the artist Ulay, she developed intense duo performances exploring intimacy, connection and separation. One of her most recognised works worldwide is The Artist is Present, in which she sat silently across from visitors at the Museum of Modern Art (MoMA) for hours – an iconic moment of still encounter and radical presence.

Artistic Team

Balkan Erotic Epic created by Marina Abramović

Marina AbramovićArtist, Director, Concept, Design
Georgine Maria-Magdalena BalkAssociate Director
Blenard AzizajChoreographer
Billy ZhaoDurational Performance Director
Nabil ElderkinFilm Director
Marko NikodijevićComposer
Luka KozlovačkiComposer / Sound Designer
Urs SchönebaumLighting Designer
Anna SchöttlSet Designer
Roksanda IlinčićCostume Designer
Sonia Alcón, Fredrik NordbeckAnimation
Marco AnelliPhotography
Svetlana SpajićCreative Consultant / Singer
Aleksandar TimotićCreative Consultant / Singer
Dragana JovanovićCreative Consultant / Singer / Band Leader
Elke LuytenPerformance Artist / Co-Creator of the Role
Maria Stamenković HerranzPerformance Artist / Co-Creator of the Role
Rowan SchratzbergerAssistant Choreographer
Helene SchönebaumAssistant Set Designer
Tigger BlaizeIntimacy Coordinator
Shanti FreedCostume Collaboration and Supervisor
Rafi Gokay WolCreative Consultant / Executive Producer for Marina Abramović 
Yasemin KandemiroğluCreative Consultant / Producer for Marina Abramović

Cast

Dragana Jovanović, Svetlana Spajić, Aleksandar TimotićSingers
Elke Luyten, Maria Stamenković Herranz (MSH)Performance Artists
George Adams, Blenard Azizaj, Louis Baxter, Jem Bentham, Maria Vittoria Bortolotti, Kennady Brim, Kibrea Carmichael, Elena Cattardico, Molly Crabtree, Daisy Dancer, Chiara Duccini, Ayesha Fazal, Myrto Georgiadi, Isaac Glenister, Silas Grocott-Cain, Lucy Harries, JP Hon, Joshua Hubbard, Esme Jobey, Spike King, Mak Korda, Gabriella Lemma, Ting Li, Andrea Louca, Margherita Mattia, Sara Maurizi, Nicole Nevitt, Zara Phillips, Vilim Poljanec, Ella Posti, Emma Poyer, Dominic Rocca, Clara Selberg, Marianna Sfyridi, Sophie Thomas, Jack Trotter, Stylianos Tsatsos, Yue Ying HoDancers
Ruby Abbas, Lily Antonia, Anton Apicella, Chris Brown, James Cale, Porcelain Delaney, Rowena Gander, Owen Gaynor, Vanda Hagan, Tom Halls, Tora Hed, Lewys Holt, Neil Jacob, Maisha Kungu, Ali Matthews, Lizzy Owen, Saskia Roy, Ian Sharpe, Yuma SyllaPerformers
Natalia LeniartekPerformer, Make-up Artist

Musicians

Valerie BarrAccordion
Chris Barron, Maxim KempTuba
Will BirdTrumpet
Grace Harman, Robbie RichardsonFlugelhorn
Georgina MacDonell FinlaysonViolin
Sam Milton, Emilio Yañez RuizPercussion
James SeabrookSousaphone
Musician programming support provided by the Royal Northern College of Music.

Tito’s Funeral Film Performers

Fahmida Afzal, Alexandra Alexandre, Maxine Blake, Christina Boden, Lin Bosomworth, Belinda Cunningham, Geraldine Curry, Joan Dewhurst, Rose Dewhurst, Jane Disley, Susan Elliott-Lyall, Ann England, Elaine Fell, Clara Fernandez Pakter, Cheryl Finnigan, Nicola Fitzgerald, Sue Frumin, Teresa Ghorbani, Karen Greenwood, Sharon Hall, Venus Hudnott, Kate Jobling, Anne Jones, Diane Kay, Maria Kay, Ping Kelly, Amanda Maugham, Christine McAlister, Helen Orme, Wendi O’Toner, Rosemary Phiri, Anne Preston, Rachel Puddick, Charlotte Quinn, Hilary Richards, Rio Roberts, Siobhan Roscoe, Denise Sides, Susan Skarratts, Alison Smeltzer, Sharon Sutherberry, Liliane Taylor, Caroline Thompson, Mimi Walder, June WeightsPerformers

Full cast of Balkan Erotic Epic. The Stage Version

Marina Abramović about Balkan Erotic Epic

A person is seated in front of a neutral beige background. They are wearing a dark blazer over a dark top, with a clip-on microphone attached to the lapel. The person is sitting calmly, facing the camera.

Marina Abramović about Balkan Erotic Epic

© Factory International, Manchester

Commissioned by Berliner Festspiele; Factory International, Manchester; Gran Teatre del Liceu; Park Avenue Armory; Ruhrtriennale; Les Théâtres de la Ville de Luxembourg; and WestK Performing Arts, Hong Kong

Produced by Factory International, Manchester