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Le Frau

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Frost, Peter

Biography <a href="artist_connector">Le Frau</a>

Immersion

Immersion 2018

Gropius Bau

Die Gruppe Le Frau *(Vera Buhss, Dasniya Sommer, Peter Frost und Gäste) erforscht vergessene Matriarchate in Berlin und der ganzen Welt

Peter Frost und die Gruppe Le Frau berichten aus vergessenen Matriarchaten Berlins und der Welt

Festivals & Programme Series

Upcoming

The Berliner Festspiele organise a range of festivals and art exhibitions, concerts, dance and theatre performances, readings, lectures, debates and much more throughout the year. These events are presented at a range of locations across Berlin but are concentrated primarily at their own two venues: the Gropius Bau and the Haus der Berliner Festspiele.

Berliner Festspiele

The Berliner Festspiele programme archive includes all events from 2004 onwards.

The archive pages of the current festivals and programme series can be found in the menu of the respective festival under Programme/Archive.

Berliner Festspiele&rsquo;s own events, guest events and past festivals and programme series are listed on this page.

2018

Begleitprogramm Philippe Parreno

Accompanying Programme

The exhibition Welt ohne Au&szlig;en featured&nbsp;<a href="${link:{uuid:{2c73e2c6-49c0-4fee-bd5c-c2b366a2c3e2},repository:{website},path:{/bfs-de/programm/archiv/immersion/2018/welt-ohne-aussen/welt-ohne-aussen-werke}}}">art works spanning from the late 60s to the present day</a>, together with <a href="${link:{uuid:{67429755-4d38-423e-8eba-e09194fd9c18},repository:{website},path:{/bfs-de/programm/archiv/immersion/2018/welt-ohne-aussen/begleitprogramm-welt-ohne-aussen}}}">live works and workshops</a>. For the first time, Gropius Bau issued passes that gave permanent access to the exhibition and all its activities, inviting visitors to explore all facets of the show and to actively participate in the daily workshop programme.

Curated by Thomas Oberender and Tino Sehgal, the exhibition traced a development from the pioneers of immersive installations to contemporary artistic practices, bringing together a wide range of art forms and disciplines. Featuring installations, virtual reality, 3D-film, a smell organ, as well as live works and workshops, the exhibition developed a unique dramaturgy that allowed visitors to enter into these immersive spaces, with each work unfolding within its own temporality.
These situations – requiring a process of arrival, immersion and emergence – were created within a format that, since its advent, has usually operated with an almost opposed modality: the exhibition. This ritual of Western modernism can be seen as an expression of a particular set of ideas about being in the world: a world that we, as human beings, confront in opposition, evaluating objects (including art objects) from a critical distance. Immersion, on the other hand, stimulates a direct and immediate experience. Entering and immersing oneself as a part of – and in relation to – an experience is prioritised over the evaluating observation. In this sense, immersive practises are an expression of a changing relationship with the world, one that is based not on a dualism between subject and object, but rather on the entanglement of situation and experience.
As the gap between the spectator and the work narrows questions of energetic charge, density and embodied engagement come to the fore. Starting with works in the minimalist tradition, “Welt ohne Außen” arrived at formats on the threshold of art and non-art, coming from different contexts that were rooted in varied arrangements and understandings, from immersive journalism to workshops and live works that took place in weekly rotation.
The exhibition opened with a series of historical works from the late 1960s, with early works by Larry Bell and Doug Wheeler contrasted with an Environment by Lucio Fontana and Nanda Vigo. From here, the arc spanned from more recent works like Carsten Höller’s “Light Wall” and Dominique Gonzalez-Foerster’s “Cosmodrome” – two seminal works from the early 2000’s – to Cyprien Gaillard’s “Nightlife”. Gaillard’s hypnotic 3D-film marks the threshold of the transition from analogue to virtual spaces, on the other side of which VR-pioneer Nonny de la Peña makes social realities tangible with the aid of virtual worlds. Beside the multi-layered scent-compositions of Wolfgang Georgsdorf, there were weekly rotating live works in the Schliemann-Saal and a series of workshops co-curated by artist Isabel Lewis, exploring the elements that defined “Welt ohne Außen” as a format between exhibition and live experience, between tangible works and social process, between art and non-art.
As a central element of the exhibition, the Schliemann-Saal opened its doors several times a day to present live works that exist in a tension between the staged and the situational. Artists from a wide spectrum of contexts were presented in weekly rotation, among them Claire Vivianne Sobottke, Peter Frost and the Group Le Frau, Maria Francesca Scaroni, Xavier Le Roy and two-women-machine-show &amp; Jonathan Bonnici.
Bringing together a broad range of approaches to embodied practice from different practitioners, the workshops focussed on ‘feeling’ as a bodily occurrence rather than ‘thought’ as a distancing intellectual process. The workshops spanned three connected rooms where visitors were invited to move through stages of deepening participation from ‘hospitality and orientation’ to ‘guided bodily practice and full-bodied engagement’ and eventually ‘self-orientation, experimentation and play’. The workshops presented an opportunity to get involved in a variety of practices that aren’t necessarily artistic in nature but require dedication, commitment and engagement. They focussed on locating practitioners in the world, rather than outside of it. Participation was open to all and walk-ins are encouraged.
In the spirit of the exhibition, Berliner Festspiele issued a permanent ticket, which allowed multiple visits and participation in all workshops and live-works throughout the entire duration of the exhibition.
With <a href="artist_connector">Cibelle Cavalli Bastos</a>, Larry Bell, <a href="artist_connector">Laura Burns</a>, <a href="artist_connector">Renée Coulombe</a>, <a href="artist_connector">Lou Drago</a>, <a href="artist_connector">Fernanda Farah</a>, Ed Fornieles Studios &amp; Omsk Social Club, Lucio Fontana &amp; Nanda Vigo, <a href="artist_connector">Peter Frost</a> and the group <a href="artist_connector">Le Frau</a>, Cyprien Gaillard, Dorota Gawęda &amp; Eglė Kulbokaitė (Young Girl Reading Group), Wolfgang Georgsdorf, Dominique Gonzalez-Foerster, Stefanie Görisch, Jeppe Hein, <a href="artist_connector">Michael Helland</a>, Hidden Agency / <a href="artist_connector">∞OS</a> and guests, Carsten Höller, Josh Johnson, <a href="artist_connector">Ana Jordão</a>, <a href="artist_connector">just in f kennedy</a>, <a href="artist_connector">Lea Kieffer</a> with <a href="artist_connector">Angela Schubot</a> &amp; <a href="artist_connector">Rocio Marano</a>, Dambi Kim, <a href="artist_connector">Isabel Lewis</a>, Matthew Lutz-Kinoy, <a href="artist_connector">Ángela Muñoz Martínez</a>, <a href="artist_connector">Susan Ploetz</a>, <a href="artist_connector">Thomas Proksch</a>, Tabita Rezaire, Xavier Le Roy, Maria Francesca Scaroni &amp; Mieko Suzuki, Chris Scherer, <a href="artist_connector">Scent Club Berlin</a>, <a href="artist_connector">Tino Sehgal</a>, <a href="artist_connector">Colin Self</a>, <a href="artist_connector">Coral Short</a> &amp; <a href="content_link_text;type=kbb_festspiele.kuenstler_detail;gid=d24e5505-9bc4-4a26-8727-c311ad2f0d6a">Jean P\'ark</a>, <a href="artist_connector">Iv Shri</a>, <a href="artist_connector">Claire Vivianne Sobottke</a>, <a href="artist_connector">Jessy Tuddenham</a>, <a href="artist_connector">two-women-machine-show</a> &amp; <a href="artist_connector">Jonathan Bonnici</a>, Doug Wheeler, Helga Wretman, XenoEntities Network
Curators: <a href="artist_connector">Tino Sehgal</a> and <a href="artist_connector">Thomas Oberender</a> 
 Associate curator: Annika Kuhlmann 
 Workshops: concept &amp; programme: <a href="artist_connector">Isabel Lewis</a>
A group exhibition organised by Berliner Festspiele as part of the programme Immersion.

Welt ohne Außen

The Berliner Festspiele&rsquo;s programme series &ldquo;Immersion&rdquo; presented the work of artists who transcended the conventional oppositions between work and viewer, stage and auditorium, object and observer.

Archiv

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Programme

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Berliner Festspiele 75

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In our Festspiele Stories series, we highlight some of the many facets of the 75-year history of the Berliner Festspiele. Explore our Media Library for behind-the-scenes insights, as well as new and historical perspectives and personal recollections connected to the history of the Berliner Festspiele.

Festspiele Stories

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In 2026 the Berliner Festspiele celebrate their 75th anniversary. A selection of events programmed throughout the entire year engage take the anniversary as their theme or mark the occasion with works at the Haus der Berliner Festspiele, the Gropius Bau, the Philharmonie, on Berlin’s Ringbahn and at other locations in the city. Outstanding international that liberal societies and their cultural institutions face in a new, multipolar world order. artists such as Marina Abramović, Gabriele St&ouml;tzer and Akira Takayama will set the agenda both thematically and aesthetically. Entitled “Die gro&szlig;e Unordnung” (The Great Disorder), the four-day focus Reflexes &amp; Reflections will also enquire about the challenges.

75 Years of the Berliner Festspiele

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The massacre, hostage-taking and rocket attacks by Hamas have shaken us deeply. The grue-some attack on Israel on 7&nbsp;October left us stunned and initially lost for words.

The Berliner Festspiele on Current Events in Israel, Gaza and Germany

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With this letter of intent, we, the signing cultural organizations, express our intention to welcome, host and stage Ukrainian theatre artists in our venues, to make Ukrainian dramatic work visible to the European community.

Support of the Ukrainian Cultural Scene

More Berliner Festspiele

Key Visual Musikfest Berlin 2026

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Major Orchestras and Vocal Ensembles as Guests in Berlin

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More than 60 productions from across Germany applied to take part in this year’s Tanztreffen der Jugend. After the expert jury had the opportunity to view the shortlisted works live, the jurors selected 10&nbsp;productions for the final programme. The programme schedule has been published, advance ticket sales are open.

Tanztreffen der Jugend

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The exploration of myths and rituals shapes the fourth edition of the Performing Arts Season with works by Marina Abramović, Mario Banushi, Marie Chouinard, Anne Teresa De Keersmaeker / Rosas, Ictus, Bl!ndman, Dumb Type, Damien Jalet / Kohei Nawa and Gisèle Vienne. The programme is published and ticket sales are on.

Performing Arts Season

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With A Year without Summer by Florentina Holzinger, the last of the 10 most remarkable productions selected for Theatertreffen 2026 will be presented this autumn. The performances will take place at the Volksb&uuml;hne am Rosa-Luxemburg-Platz. Remaining tickets may be available at the box office.

A Year without Summer

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In 2026, the line-up welcomes audiences to make new discoveries and features outstanding representatives from a variety of scenes, spanning a highly diverse cultural and musical landscape. At the same time, it celebrates two pioneering voices – Anthony Braxton and Alexander von Schlippenbach – who have shaped the global scene for decades. The programme will be published on 10&nbsp;September, advance ticket sales start on 17&nbsp;September.

Jazzfest Berlin

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The Berlinale as a guest at Haus der Berliner Festspiele

76th Berlin International Film Festival

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as a guest at Haus der Berliner Festspiele

25th international literature festival berlin

Performing Arts Season_neu

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Nina Laisné and François Chaignaud with Nadia Larcher

Último helecho

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An Initiative of the Berliner Festspiele 2026/27

As part of their anniversary season, the Berliner Festspiele in partnership with the Japanese-German Center Berlin dedicate a special focus to performative and musical arts from Japan, featuring works by the Kanze Noh Theater, Damien Jalet / Kohei Nawa, Akira Takayama, Dumb Type and the Otomo Yoshihide New Jazz Quintet. Through contributions to the programmes of Musikfest Berlin, the Performing Arts Season, Jazzfest Berlin and MaerzMusik, alongside an original project unfolding across the city, this initiative draws on a long history of exchange and resonance between the Berliner Festspiele and artistic expressions of Japanese culture.

Focus Japan

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International Literature Festival Berlin

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Since 14 March 2026Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities.

BAUBAU

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19 June to 6 December 2026For more than five decades, Gabriele St&ouml;tzer has been grappling with questions of justice, gender and self-determination. Her own body often plays a central role in her work – not as an object, but as a site of resistance and feminist self-assertion. Dabei sein und nicht schweigen is the artist’s largest institutional solo exhibition to date.

Gabriele St&ouml;tzer: Dabei sein und nicht schweigen

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10&nbsp;September&nbsp;2026 to 17&nbsp;January&nbsp;2027Nowhere were the social and cultural changes of 1960s and 1970s West Germany more powerfully manifest than in Berlin’s Kreuzberg neighbourhood. The group exhibition focuses on the diverse and largely overlooked cultural production on the topic of labour migration and on how artists in the neighbourhood have responded to the tensions and issues of their time.

Kreuzberg: Kunst und Migration seit 1960

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Widely regarded as one of the most original and influential artists of the 20th&nbsp;century, Diane Arbus’ bold black-and-white photographs demolish aesthetic conventions and upend all certainties. With Diane Arbus: Konstellationen, Gropius Bau presents the most comprehensive exhibition of her work to date. Featuring 454&nbsp;prints, many of them shown here for the first time, Konstellationen offers new perspectives on Arbus’ iconic images and the wide range of her portraiture.

Diane Arbus: Konstellationen

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Marking twenty years since artist, writer and performer Vaginal Davis made Berlin her home, Gropius Bau presents the first comprehensive solo exhibition of her work in Germany. In her expansive oeuvre, punk meets glamour, queer activism meets Black counter-culture and resistance meets desire. Fabelhaftes Produkt offers an overview of Davis’ practice and artistic collaborations.

Vaginal Davis:&nbsp;Fabelhaftes Produkt

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A Play Space for Kids

Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities.

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Ligia Lewis is a central figure in redefining performance within the context of the visual arts. In her multifaceted practice, she combines performance, live installation and film. &nbsp;From autumn 2025, Gropius Bau presents I’M NOT HERE FORRRRR…, the artist and choreographer’s most comprehensive solo exhibition to date. It brings together new and existing works that explore themes of race, gender, violence and resistance.

Ligia Lewis: I’M NOT HERE FORRRRR…

Current and Upcoming Exhibitions at the Gropius&nbsp;Bau

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We have been following EMAS guidelines for sustainable environmental performance since 2013. Find out more about our goals and the measures that we have already taken on the website of our umbrella organisation.

Sustainable Environmental Performance

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Active since 2018, the national network DIE VIELEN formulates clear positions against enmity, right-wing extremism and attacks against artistic freedom. With the campaign “SHIELD &amp; SHINE”, the alliance is calling out to take an even stronger stance in support of a plural, democratic orientation of the world.

SHIELD &amp; SHINE – We Are Many

<h3>Sustainable Environmental Performance</h3>We have been following EMAS guidelines for sustainable environmental performance since 2013. Find out more about our goals and the measures that we have already taken on the website of our umbrella organisation.

2026 feiern die Berliner Festspiele ihr 75-j&auml;hriges Bestehen. &Uuml;ber das gesamte Jahr verteilt thematisieren ausgew&auml;hlte Programmpunkte dieses Jubil&auml;um oder nehmen es zum Anlass f&uuml;r Veranstaltungen im Haus der Berliner Festspiele, im Gropius Bau, in der Philharmonie, auf der Berliner Ringbahn und an anderen Orten in der Stadt. International herausragende K&uuml;nstler*innen wie Marina Abramović, Gabriele St&ouml;tzer und Akira Takayama setzen dabei inhaltliche wie &auml;sthetische Akzente. Unter dem Titel Die gro&szlig;e Unordnung fragen die Thementage Reflexe &amp; Reflexionen zugleich nach den Herausforderungen einer neuen, multipolaren Weltordnung f&uuml;r liberale Gesellschaften und ihre Kulturinstitutionen.

75 Jahre Berliner Festspiele

Die Berliner Festspiele richten in ihrem Jubil&auml;umsjahr in Partnerschaft mit dem Japanisch-Deutschen Zentrum Berlin einen besonderen Fokus auf performative und musikalische K&uuml;nste aus Japan – u. a. mit Werken des Kanze Nō Theaters, von Damien Jalet / Kohei Nawa, Akira Takayama, Dumb Type und des Otomo Yoshihide New Jazz Quintets.

Focus Japan

All year round, Berliner Festspiele host a multitude of festivals, exhibitions and individual events in two houses – the Haus der Berliner Festspiele at Schaperstra&szlig;e and the Gropius Bau near Potsdamer Platz – and other venues in the city.

The Berliner Festspiele

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The Ringbahn as a stage for 27&nbsp;forgotten visions of the future

What If Berlin

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On 13 January, the Theatertreffen’s jury of critics announced their selection of the 10 most remarkable productions for the 2026 Theatertreffen at a press conference. Our congratulations go to the nominated production teams and all participants!

The 10 Most Remarkable Productions 2026

In a lecture at the Performing Arts Season 2025/26, Gisèle Vienne offered insights into the significance of dolls in her work. Interviews, essays, and videos from previous editions of the Performing Arts Season, including contributions by Anne Teresa De Keersmaeker, Trisha Brown, Lucinda Childs, Akram Khan and Philippe Quesne, are still available in the Berliner Festspiele Media Library.

Through diverse choreographies and forms of expression in contemporary and urban dance, young dancers explored what constitutes their own identity and how it asserts itself in interaction with others. The recordings of the productions invited to the Tanztreffen der Jugend 20245 are available in the media library.&nbsp;

Tanztreffen der Jugend 2025

In conversation with music journalist Peter Margasak and Nadin Deventer, artistic director of Jazzfest Berlin, trumpeter and composer Wadada Leo Smith looks back on more than half a century of “Creative Music”. Also in the Media Library: two films invite viewers behind the scenes of the Jazzfest Community Film Lab.

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Find out more about MaerzMusik: recap videos, talks, interviews and portraits have been published in the Berliner Festspiele Media Library.

MaerzMusik

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3sat produces the format Starke St&uuml;cke, featuring high‑quality television recordings of four productions invited to the 2026 Theatertreffen. Together with discussions and behind the scenes, they are available in the Berliner Festspiele Mediathek.

Theatertreffen 2026

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The Great Disorder: The panels and discussions of the third edition of Reflexes &amp; Reflections are published in the Berliner Festspiele Media Library.

Reflexes &amp; Reflections 2026

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At the heart of the productions are current crises, social phenomena, and questions of power and powerlessness. The works respond to the anxieties of the present by articulating demands for the future. The productions and the opening event are available in the media library.

Theatertreffen der Jugend 2026

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Discover background information on Musikfest Berlin 2025, including interviews with selected composers and performers, stories related to the hidden object picture, and audio recordings of selected concerts, which will be available shortly after each event.

Musikfest Berlin 2025

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The Treffen junge Musikszene 2025 presents a rather young line-up of surprisingly mature, accomplished and experimental musicians, including numerous strong female artists. Recordings of the concerts are available in the media library.

Treffen junge Musikszene 2025

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In their 2025 texts, the young authors write about very personal situations and relationships, from issues of social and emotional integration to family histories and everyday observations, to questions about the global situation, politics, the climate, and social or economic injustice. The readings and other events are available in the media library.

Treffen junger Autor*innen 2025

In the Media Library

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The Berliner Festspiele newsletter keeps you up to date on ticket sale starts, new events and selected highlights.

Stay connected. Stay informed.

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Advance sales are now live: tickets for ten selected concert highlights of the Musikfest Berlin, which in 2026 will also mark the 75th anniversary of the Berliner Festspiele, are now available. The program includes Gy&ouml;rgy Ligeti's grotesquely humorous anti-opera Le Grand Macabre and George Gershwin's Porgy and Bess.

Musikfest Berlin

As an international co-production, artists Nina Laisné and François Chaignaud and singer Nadia Larcher have developed a performance that is carried by music, singing and dance at once. In “Último helecho”, European Baroque meets South American folklore and mythology.

Último helecho

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In Thorsten Lensing’s new play, Ursina Lardi, Karin Neuh&auml;user, Sebastian Blomberg, André Jung and drummer Willi Kellers play characters careening their way from one disaster to the next. What defines them is an absurd blend of brutality and tenderness, anarchy and metaphysical curiosity, existential pain and zest for life.

Tanzende Idioten

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Artist and choreographer Ligia Lewis’s new work “Wayward Chant” explores the intersections of despair and beauty through the mobilization of the chorus. A pared-down score unfolds, featuring moving, chanting bodies arranged in detailed formations.