
Liv Redpath © Thomas Brunot
Liv Redpath
During the 2025-26 season, soprano Liv Redpath will make her Teatro Real debut in a new Deborah Warner production of A Midsummer Night’s Dream with Ivor Bolton. She will return to the Glyndebourne Festival for her role debut as Konstanze in David McVicar’s production of Die Entführung aus dem Serail led by Evan Rogister and to Staatsoper Hamburg as Pamina in Die Zauberflöte with conductor Keren Kagarlitsky and director Jette Steckel. Orchestral engagements include return appearances with the Berliner Philharmoniker to sing Mater Gloriosa in Gustav Mahler’s Symphony No. 8 at the Salzburg Easter Festival with Kirill Petrenko; Los Angeles Philharmonic for Claude Debussy’s La damoiselle élue with Esa-Pekka Salonen; Orchestra of St. Luke’s at Carnegie Hall in Ludwig van Beethoven’s Symphony No. 9 with Raphaël Pichon; and Danish National Symphony Orchestra in Copenhagen for Mahler’s Symphony No. 8, led by Fabio Luisi. Concert debuts include the Orchestra Sinfonica Nazionale della RAI for Hans Abrahamsen’s Let me tell you, conducted by Thomas Dausgaard; and Phoenix Symphony for Mahler’s Symphony No. 4 and W.A. Mozart’s Exsultate, jubilate with conductor Alex Amsel. Liv Redpath will perform Georg Friedrich Händel’s Messiah alongside the Cleveland Symphony Orchestra with Bernard Labadie. Her season is completed with recitals at Wigmore Hall in London and the Park Avenue Armory in New York City with pianist Harry Rylance.
Recent opera engagements include Accademia Nazionale di Santa Cecilia as Agnès in George Benjamin’s Written on Skin; Bayerische Staatsoper in Der Rosenkavalier, and Opera Omaha as Anne Truelove in Stravinsky’s The Rake’s Progress. Featured orchestral engagements have included the San Francisco Symphony and Seattle Symphony for Gabriel Fauré’s Requiem; Danish Symphony Orchestra singing Mozart’s Great Mass in C minor; Elbphilharmonie Hamburg with NDR Vokalensemble in Mozart’s Davide penitente and The Netherlands Radio Philharmonic Orchestra for Edvard Grieg’s Peer Gynt. Additional appearances include the Orchestra of St. Luke’s Chamber Music Series season opening; as Voce dal cielo in Don Carlo with Boston Youth Symphony; and her Santa Fe Chamber Music Festival debut in their season opening, and in recital with pianist George Fu.
She has also performed with the London Philharmonic Orchestra, National Symphony Orchestra, Boston Philharmonic Orchestra, Festival d’Aix-en-Provence, and Edinburgh International Festival. Liv Redpath has worked with conductors Yannick Nézet-Séguin, Gustavo Dudamel, Vasily Petrenko, Sir Simon Rattle, Carlo Rizzi, Alain Altinoglu, Vladimir Jurowski, Stéphane Denève, Alan Gilbert, Karina Canellakis, Alain Altinoglu, Andrés Orozco-Estrada, James Gaffigan, William Christie, Daniel Harding, Emmanuel Villaume, Barbara Hannigan, Manfred Honeck, Lothar Koenigs, Thomas Hengelbrock, Giacomo Sagripanti, Karina Canellakis, Lorenzo Passerini, Fabio Biondi, Erina Yashima, among others.
As of: July 2025