Liv Redpath

In the 2024/25 season, Liv Redpath’s orchestral engagements include the Orchestre Philharmonique de Radio France for Debussy’s ‘La Damoiselle élue’ with George Benjamin on the podium; San Francisco Symphony and Seattle Symphony for the Fauré’s Requiem led by Kazuki Yamada; Lucerne Festival to perform Boulez’s ‘Le Soleil des Eaux’ with Karina Canellakis leading the Netherlands Radio Philharmonic Orchestra; Kansas City Symphony for Mozart’s Requiem conducted by Bernard Labadie; Danish National Symphony Orchestra singing the Mozart ‘Great Mass in C minor’ under the baton of Manfred Honeck; Les Violons du Roy as soloist in Handel’s ‘Messiah’ with Maestro Labadie; Elbphilharmonie Hamburg with NDR Vokalensemble in Mozart’s ‘Davide penitente’ conducted by Klaas Stok; Netherlands Radio Philharmonic Orchestra for Grieg’s ‘Peer Gynt’ joining conductor Stéphane Denève; and LA Master Chorale for the North American premiere of Rufus Wainwright’s ‘Dream Requiem’ narrated by Jane Fonda with Grant Gershon on conducting duty. She will make debuts with the Orchestra dell’Accademia Nazionale di Santa Cecilia to sing Agnès in ‘Written on Skin’ under the baton of composer George Benjamin and Opera Omaha as Anne Truelove in Stravinky’s ‘The Rake’s Progress’. She returns to Santa Fe Opera as Susanna in ‘Le nozze di Figaro’ with Laurent Pelly directing and Harry Bicket on the podium; Bayerische Staatsoper in her signature role of Sophie in the Barrie Kosky production of ‘Der Rosenkavalier’ reuniting with conductor Vladimir Jurowski; La Monnaie/De Munt as the Stimme eines Waldvogels in ‘Siegfried’ directed by Pierre Audi and conducted by Alain Altinoglu, where she will also present a recital and gala concert. Additional appearances include the Orchestra of St. Luke’s season opening concert of their Chamber Music Series at Weill Hall in music of Strauss, Grieg, and Schubert; Boston Youth Symphony to sing the Voce dal ciel in ‘Don Carlo’; a Pacific Palisades concert with pianist David Kaplan and violinist YuEun Gemma Kim in music of Brahms, Copland, and Shaw; and Santa Fe Chamber Music Festival for the season opening night concert and a recital with pianist George Fu. Liv Redpath has performed with the Metropolitan Opera, Berliner Philharmoniker, Glyndebourne Festival, The Cleveland Symphony, Deutsche Oper Berlin, Los Angeles Opera, The English Concert, Staatsoper Hamburg, Bregenzer Festspiele, Komische Oper Berlin, Edinburgh Festival, and Atlanta Opera, collaborating with conductors Gustavo Dudamel, Yannick Nézet-Séguin, Kirill Petrenko, Fabio Luisi, Vasily Petrenko, Vladimir Jurowski, James Gaffigan, Andrés Orozco-Estrada, Alan Gilbert, Daniel Harding, William Christie, Emmanuel Villaume, Barbara Hannigan, Thomas Hengelbrock, and Christophe Rousset. A graduate of Harvard University and The Juilliard School, Liv Redpath is a former Domingo-Colburn-Stein Young Artist with the Los Angeles Opera.