
International Forum 2026 © Constanze Flamme
The International Forum is a scholarship programme for aspiring performing arts artists from across the world. It’s a platform for global exchange and the promotion of young theatre makers, an initial impetus for collaboration, the search for diverse local perspectives on global issues, and a free space for developing artistic ideas together. Artists from all continents will gather in Berlin during Theatertreffen to see shows together, think together, experiment and make connections.
In its 2027 edition, the International Forum will explore the act of watching. Until 26 November, theatre practitioners from all disciplines of the performing arts who have around five years of artistic professional experience can apply. We invite the participants to join us in exploring the act of watching as part of our theatre practice, to engage with various techniques of watching theatre, and to examine in practical artistic workshops how we can consciously shape the act of watching as a creative process. We want to engage in dialogue, to spend two weeks exchanging different perspectives, immersing ourselves in Theatertreffen and talking about the invited productions. Cooking and eating (and washing up) together. Exploring the city and having a look around. Celebrating the art of watching theatre together.
In the autumn of 2025, more than 800 artists from around 90 countries applied in response to our open call. The International Forum 2026 brought together 33 emerging theatre makers from Alexandria to Quezon City, from Timișoara to Langenthal. For that edition the International Forum, led by Aljoscha Begrich and Sima Djabar Zadegan, moved to the Floating University, a rainwater collection basin at the former airport in Berlin-Tempelhof and a place of learning where birds, insects, algae, reeds and some humans with a thirst for knowledge now co-exist.
Impressions from the International Forum
Team
The International Forum (IF) has existed since 1965. Founded as the “Begegnung junger Bühnenangehöriger” (Meeting of Young Stage Professionals), it is the oldest institution of its kind in continuous operation. It began as an event that provided information and discussions for young professional theatre-makers from West Germany. In 1970 the circle of participants was widened when agreements were reached with institutions in Austria and Switzerland. As a result of the co-operation with the Goethe-Institut that began in 1980, young theatre-makers could be invited from all over the world.
The aim of the International Forum remains the same today: to create an open forum for early-career theatre-makers, a space that offers time and opportunities for artistic exchange, to work collaboratively, and experiment and explore theatrically – without the pressure of having to deliver a presentable product. Up until today the process of questioning and being questioned continues to have a long-lasting influence on the working methods and way of thinking of the participating artists. It is no coincidence that unique transnational and long-lasting working relationships have repeatedly evolved from the International Forum.
With the introduction of international participants, the Forum also took on a broader range of themes, focussing more strongly on socio-political issues on a local and global level in order to investigate theatre as a space for public debate located between arts, politics and society. Discourses around changing perspectives, equality, structural power imbalances and access were increasingly explored in the International Forum. This was the case even more so as the exchange between the local theatre scene and their international colleagues – especially those from countries that are out of the focus of the Western European cultural sector – called for a pluralistic view of the world and critical engagement with other points of view and forms of work that transcend the horizons of the German-speaking cultural landscape.
In the year 2000 the International Forum received the Fritz Kortner Prize, awarded by the magazine Theater heute and funded by the Friedrich Stiftung. In 2001 the International Theatre Institute (ITI Germany) awarded its prize on the World Theatre Day to the International Forum and its former director Manfred Linke.
In 2025, the 60th anniversary of the International Forum was celebrated with the artistic programme “Forum Theatertreffen 1965–2025”. It was curated by Aljoscha Begrich, Sima Djabar Zadegan and Nora Hertlein-Hull and consisted exclusively of contributions by alumni, giving an impression of the breadth of artworks created by the 2476 artists from 90 countries who have taken part – till now outside the public eye – in the International Forum.
From 1965 to 1968 the “Meeting of Young Stage Professionals” was run by Joachim Werner Preuß, in the period from 1969 to 2005 as the “International Forum for Young Stage Professionals” it was run by Manfred Linke. From 2006 to 2014 the International Forum was run by Uwe Gössel, from 2015 to 2017 by Daniel Richter and from 2018 to 2022 by Necati Öziri. In 2023 the International Forum became part of the “10 Treffen”. In 2024, Aljoscha Begrich and Sima Djabar Zadegan took over as its directors.
Since 1965, more than 2500 theatre-makers from 90 countries have been awarded scholarships to participate in the IF.
The International Forum takes place in cooperation with the Goethe-Institut, the Swiss Cultural Foundation Pro Helvetia, the Austrian Federal Ministry of Housing, Arts, Culture, Media and Sport and the Kultur | lx – Arts Council Luxembourg.
It is supported by the German Stage Association.
Theatertreffen is funded by
Funded by
The International Forum is realised in cooperation with
The 2026 International Forum was realised thanks to the support of our partners: