Film with Introduction | Drama and Discourse

How Do We Talk About #MeToo Before #MeToo Existed?

A film screening of “Die Deutschen und ihre Männer – Bericht aus Bonn” (FRG 1989) by Helke Sander

With an introduction by Matthias Dell

In an illustration in orange and green, visitors are sitting in the auditorium of the Haus der Berliner Festspiele and looking toward the stage

© Berliner Festspiele, illustration: 3pc

Fräulein Else has a problem which for a long time had no name. There was no term for sexual harassment, sexualised violence or sexisms that would pin the problem down and thus give the impression that it existed: In Arthur Schnitzler’s novella, written 100 years ago, no one can say #MeToo to make a scandal out of behaviour in which the man uses his privilege as power to control the body of a young woman. Leonie Böhm’s production with Julia Riedler examines the material from a contemporary viewpoint, opening up a history to which Helke Sander’s 1989 film Die Deutschen und ihre Männer – Bericht aus Bonn also belongs: how do we talk about something that a patriarchal culture will openly question and hush up, reversing the roles of perpetrator and victim? Die Deutschen und ihre Männer – Bericht aus Bonn finds an extremely original form to do this. In searching for a solution, Sander’s film takes the problem to the people who cause it. Those who lack power have a sense of humour – and plunge the Bonn republic from Gerhart Baum (FDP) to Werner Sonne (ARD) into a public relations crisis.

Film with

Renée Felden, Luise F. Pusch, Claudia von Alemann, Helke Sander

Helke Sander  – Direction, Script, Production
Lilly GroteCamera
Helke Sander, Claudia Vogeler, Wolfgang HeineMontage
Mia SchmidtMusic
Volker Zeigermann, Kurt Eggmann, Csaba Kuksar, Ursula OllendorfSound

BRD 1989Production
98 minDuration

Introduction by

Matthias Dell