Wednesday to Monday | 12:00 hrs
Performances I, Simon-Sigmar, (1970–72),
Performances II (1973) – 36 min.
Berlin – Übungen in neuen Stücken, (1974/75) – 42 min.
Der Eintänzer (1978) – 47 min.
Cutting through the past (1995) – 55 min.
Performances 1 (1972)
22 min., 16 mm, colour
Camera: B. Liebner, K.P. Brehmer
Documentation of eight performances: Rote Glieder, Rotrbrust, Zunehmendes Schwarz, Hahnengefieder, Balancestab, Schwarze Hörner, Federkleid, Simon-Sigmar
Performances 2 (1973)
38 min., 16 mm, colour, sound
Realization: Herlmut Wietz
with D. Finke, Gavin, Krin Halding, E. Mitzka
Documentation of new performances: Einhorn, Kopf-Extension, Weißer Körperfächer, Handschuhfinger; Federfinger, Gavin, Hahnenmaske, Bleistiftmaske, Kakadu-Maske
Berlin (10.11.1974–28.01.1975) – Übungen in neun Stücken (1974/75)
42 min. 16 mm, colour, sound
Realization: Helmut Wietz
with Rebecca Horn, Guido Kerst, Lisa Liccini, Otto Sander, Veruschka von Lehndorff, Michel Würthle
Der Eintänzer (1978)
47 min., 16 mm, colour, sound
in English and feature film length
Screenplay / Directed by Rebecca Horn
Off Voice: Rebecca Horn
with Timothy Baum (Max), Greta Konstantinescu (Geta), Elisabeth Martin (Mary), Kathleen Martin (Kathleen), Nada (Sushi-Chef), David Warrilow (Frazer) u.a.
Cutting Through the Past (1995)
55 min., 16 mm, colour, sound
A documentation of Rebecca Horn for the retrospective of the Guggenheim Museum, New York, with a conversation between Donald Sutherland and Rebecca Horn