BAUBAU

When can we visit BAUBAU / SommerBAUBAU?
Mon, Wed, Thu, Fri (Tue closed): 12:00–13:30 / 14:00–16:00 / 16:30–18:00; Sat & Sun: 10:00–12:00 / 12:30–15:00 / 15:30–18:00

How do we know whether playing takes place outdoors or indoors?
From July to September, SommerBAUBAU invites children to play with clay in the pavilion in front of Gropius Bau. If very high temperatures or rain are forecast, we will move the activity indoors to BAUBAU for that day.

Do children need to be supervised at BAUBAU / SommerBAUBAU?
Yes, the accompanying adult is responsible for supervision. Please make sure to keep an eye on the children you’re visiting with.

Is there anything we should bring?
Please dress your little ones in clothes that can get dirty when visiting our outdoor play space SommerBAUBAU – and bring a change of clothes and a towel. For BAUBAU on the ground floor of Gropius Bau, please pack anti-slip socks.

Every child has the urge to play. This is how they learn to understand themselves in relation to the world. Open-ended, self-directed play is of particular importance to a child’s emotional and social development. Accordingly, the pedagogical concept of BAUBAU is fundamentally about play: here, children have time, space and permission to explore their own needs and interests. And they can do this in the company of “playworkers” – trained staff who create a safe and supportive environment for the children.

BAUBAU is inspired by The Model – an adventure playground installed at Stockholm’s Moderna Museet in 1968, which was devised by the artist and activist Palle Nielsen and the journalist and activist Gunilla Lundahl. Following the principles of adventure playgrounds, the everyday rules of art institutions don’t apply here: children have free reign and can have fun.

The multi-faceted interior created by Kerstin Brätsch is filled with references and the potential for inspiration. Elements from her own work – including marblings, paintings and stucco pieces – reappear here in various guises and new materials. Wallpapers, curtains, fabrics, seatings and other objects feature dinosaurs, fantastical beings, termite mounds and abstract elements. Their humorous, perhaps even uncanny presence creates an open scenario to play in.

Brätsch’s practice is all about absorbing and embracing outside influences. Having previously worked with artists and craftspeople, she is now working with children in a very different way. She conceives of the space as an open invitation to children to change and develop it in unpredictable ways. They can do so according to their own ideas and whims, without the artist’s input.