Current Projects

untitled 2025 (waiting room)

a common space by Rirkrit Tiravanija

Following his major exhibition DAS GLÜCK IST NICHT IMMER LUSTIG at Gropius Bau in 2024, Rirkrit Tiravanija has designed a freely accessible room where you can spend time: for example, to take a break, fill up your water bottle, simply wait without having to consume anything – for a friend or a chance encounter.

A shot of a room with a purple carpet, featuring various upholstered elements in yellow and red, with four people sitting on them. Along the length of the left wall hang yellow and red curtains, while the right wall is petrol-colored with a large white inscription reading 'I WAIT FOR NOTHING'.

Rirkrit Tiravanija, untitled 2025 (waiting room), installation view, 2025

© Gropius Bau, photo: Luis Kürschner

The Practice – What Moves Artists

New Book Series

The Practice – What Moves Artists is a new book series by Gropius Bau, that invites artists to showcase a practice that they pursue, that has influenced them or that has been with them for a long time. Playing, thinking, gardening or collectively founding a band: In an artist’s practice, such seemingly incidental activities can be grasped as productive processes – as a way of establishing relationships, of reflecting on how we want to live. 

Two bright red books lie on a light grey background, printed in dark blue lettering "Über das Weniger Machen. Rirkrit Tiravanija" and "On Making Less. Rirkrit Tiravanija".

Rirkrit Tiravanija, On Making Less, design: Stoodio Santiago da Silva, 2024, photo: Luis Kürschner

Ayumi Paul: Matane またね

Since 2024

The artist Ayumi Paul has been working closely with the Gropius Bau for several years. In 2024, she developed a sound work that announces the building’s closure via loudspeaker every evening: The exuberant laughter of children is followed by farewells in a variety of languages, which are currently spoken by the Gropius Bau’s employees. The work’s title – Matane またね – roughly translates to “see you again” in Japanese. The sound piece is played 30 minutes before closing every day and can also be found in German Sign Language and International Sign Language on the screens throughout the building.

Photo Ayumi Paul: Debora Mittelstaedt, photo Gropius Bau: Luca Girardini

The Singing Project

Since 2021

What if people met singing freely together?
What if an exhibition venue became a place of continuous song?

The Singing Project (2021–ongoing) is a collective practice and singing sculpture composed by Ayumi Paul, the Gropius Bau’s Artist in Residence 2022. Since its onset, the project has taken shape in a series of workshops, gatherings and an exhibition, hosting an open space to freely sing and listen to one another.

A person stands in front of stretched fabric on which a shadow falls.

Ayumi Paul, The Singing Project, 2022

Vergangene Projekte

Janine Jembere, Untitled (from the series Residence Time), 2013

Soundshapes – In Between Frequencies

Soundshapes – In Between Frequencies activated the two entrances of the Gropius Bau with sound works by Kapwani Kiwanga and Janine Jembere, creating an acoustic connection between the central entrance portal of the neo-Renaissance building and the step-free entrance. Drawing from the potential of porosity, this architectural intervention challenged the monumentality and statics of the building in an attempt to destabilise the divide between interior and exterior.

Resonance Room

The Resonance Room shared local knowledge and experiences of mental health in Berlin. From 2021 to 2024, a number of projects had developed that question the understanding of and approach to mental health in this city: How do individual health and society interact? How does history affect the present? What forms of care, solidarity and community are designed and practised in urban society? The resonance of different voices from the neighbourhood, academia and civic society could be experienced here. As a meeting place, the Resonance Room gathered these voices and engaged them in dialogue.