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Gropius Bau

Gropius Bau 2023

Lunchführungen zur Ausstellung „Ai Weiwei – Evidence“

Guided lunch tours through the exhibition “Ai&nbsp;Weiwei – Evidence”

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Located in the centre of Berlin, the Gropius Bau is a lively place for encounters with art and each other. As an internationally renowned exhibition centre, it offers space for major exhibitions and performances by contemporary artists.

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There are currently no exhibitions on view at Gropius Bau.

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Gropius Bau 2026

Events

Exhibitions & Projects

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Our newsletters keep you updated on current and upcoming exhibitions and events. Learn more about our kids programme and plan your next visit.

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We’re Looking Forward to Welcoming You Again in March!

Gropius Bau is currently closed for exhibition preparations. Our restaurant Beba and our bookstore will reopen on 4 March, before we kick off our spring programme, featuring a performance by <a href="${link:{uuid:{16d14ae2-9463-45b4-91de-95a846c0f377},repository:{website},path:{/bfs-de/gropius-bau/programm/2026/veranstaltungen/leila-hekmat}}}">Leila Hekmat</a>, the <a href="${link:{uuid:{fd3f9e70-97e8-46fb-b639-fc701f8d4039},repository:{website},path:{/bfs-de/gropius-bau/programm/baubau/veranstaltungen/baubau-play-day-pop-up-26}}}">big pop-up</a> of our play space BAUBAU and the opening of our <a href="${link:{uuid:{baa82be9-6411-41e5-806b-4889004c8459},repository:{website},path:{/bfs-de/gropius-bau/programm/2026/ausstellungen/peter-hujar-liz-deschenes}}}">Peter Hujar / Liz Deschenes</a> exhibition. Find more details in our <a href="${link:{uuid:{62c3018b-bb40-46ce-8019-646ec5cd2e4a},repository:{website},path:{/bfs-de/gropius-bau/besuch/informationen}}}">Information &amp; Tickets</a> section.

See You Soon

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Balkan Erotic Epic. The Exhibition

Marina Abramović

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With Andrew Durbin, Biliana Voutchkova, Gary Schneider, Queer Analog Darkroom and Selin Davasse – free admission

Sp&auml;tschicht x C/O Berlin

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Tickets for ten selected concert highlights of the Musikfest Berlin, which in 2026 will also mark the 75th anniversary of the Berliner Festspiele, are available. The programme includes Gy&ouml;rgy Ligeti’s grotesquely humorous anti-opera Le Grand Macabre and George Gershwin’s Porgy and Bess.

Musikfest Berlin

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In 2026 the Berliner Festspiele celebrate their 75th anniversary. A selection of events programmed throughout the entire year engage take the anniversary as their theme or mark the occasion with works at the Haus der Berliner Festspiele, the Gropius Bau, the Philharmonie Berlin, on Berlin’s Ringbahn and at other locations in the city.&nbsp;

75 Years of the Berliner Festspiele

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The programme has been published. Advance ticket sales will start on 18&nbsp;April at 10:00.

Theatertreffen

More Berliner Festspiele

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The programme has been published. Tickets are available now. Selected from more than 700&nbsp;productions, Theatertreffen once again presents the 10&nbsp;most remarkable productions of the year in May. The festival is complemented by the new format Mehr Drama! as well as a series of conversations curated by Matthias Dell on aesthetic, social and culture-political issues.

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The Practice – What Moves Artists

The Practice – What Moves Artists&nbsp;is a book series by Gropius Bau that invites artists to showcase a practice that they pursue, that has influenced them or that has been with them for a long time. In the third volume of the series On the Erotic, performance artist Marina Abramović talks about female sexuality after menopause, the eroticism of the masses and her love for the planet.

Marina Abramović: On the Erotic

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A Vibrant Place for Enganging with Art and Each Other

Located in the centre of Berlin, Gropius Bau is a lively place to encounter art and each other. The internationally renowned institution is part of the Berliner Festspiele and stages large-scale exhibitions and performances by contemporary artists, offering new perspectives on our present.

About Gropius Bau

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The Practice – What Moves Artists&nbsp;is a book series by Gropius Bau that invites artists to showcase a practice that they pursue, that has influenced them or that has been with them for a long time. In the second volume of the series, artist, performer and author Vaginal Davis looks back on the saucy underground scenes of Los Angeles and Berlin together with former bandmates.&nbsp;On Dangerous Ground recounts past gigs, spectacular live performances and well-kept secrets.

Vaginal Davis: On Dangerous Ground

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Widely regarded as one of the most original and influential artists of the 20th century, Diane Arbus’ bold black-and-white photographs demolish aesthetic conventions and upend all certainties. With&nbsp;Diane Arbus: Konstellationen, Gropius Bau presents the most comprehensive exhibition of her work to date.

Diane Arbus: Konstellationen

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Ligia Lewis is a central figure in redefining performance within the context of the visual arts. Her solo exhibition&nbsp;I’M NOT HERE FORRRRR… at Gropius Bau&nbsp;brings&nbsp;together new and existing works that explore themes of race, gender, violence and resistance.

Ligia Lewis:I’M NOT HERE FORRRRR...

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With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities.

BAUBAU:A&nbsp;Play Space for Kids

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What is and has been the role of play in public space? Gabriela Burkhalter’s&nbsp;Playing in the City&nbsp;presentation traces the history of playgrounds since their emergence in 1900 to today. The free presentation is open to all and can be seen in two rooms next to BAUBAU’s entrance.

Playing in the City:A Short History from 1900 to the Present

Currently at Gropius Bau

Widely regarded as one of the most original and influential artists of the 20th century, Diane Arbus’ bold black-and-white photographs demolish aesthetic conventions and upend all certainties. With Diane Arbus: Konstellationen, Gropius Bau presents the most comprehensive exhibition of her work to date. Featuring 454 prints, many of them shown here for the first time, Konstellationen offers new perspectives on Arbus’ iconic images and the wide range of her portraiture.

Ligia Lewis is a central figure in redefining performance within the context of the visual arts. In her multifaceted practice, she combines performance, live installation and film. From autumn 2025, Gropius Bau presents I’M NOT HERE FORRRRR…, the artist and choreographer’s most comprehensive solo exhibition to date. It brings together new and existing works that explore themes of race, gender, violence and resistance.

Ligia Lewis: I’M NOT HERE FORRRRR…

Current Exhibitions

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Peter Hujar / Liz Deschenes: Persistence of Vision

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Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities. They set the tone and decide what happens in this place.

BAUBAU

Spielen in der Stadt

A Short History from 1900 to the Present

What has been the role of play in public space, both historically and in the present? Complementing BAUBAU, our free play space for kids, Gabriela Burkhalter’s Playing in the City presentation traces the history of playgrounds since their emergence in 1900 to today. The free presentation is open to all and can be seen in two rooms next to the play space’s entrance.

Playing in the City

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Marina Abramović, one of the most influential contemporary artists, presents Balkan Erotic Epic. The Exhibition at Gropius Bau, marking her first major solo show in Berlin since the 1990s. The exhibition brings together historical and new works by the performance artist, tracing her ongoing engagement with ritual, eroticism, death and the body as a site of political resistance.

Marina Abramović: Balkan Erotic Epic. The Exhibition

Currently and Upcoming

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With Andrew Durbin, Biliana Voutchkova, Gary Schneider, Queer Analog Darkroom and Selin Davasse

On the occasion of <a href="${link:{uuid:{baa82be9-6411-41e5-806b-4889004c8459},repository:{website},path:{/bfs-de/gropius-bau/programm/2026/ausstellungen/peter-hujar-liz-deschenes}}}">Peter Hujar / Liz Deschenes: Persistence of Vision</a>, Sp&auml;tschicht x C/O Berlin turns its focus on 26 March to photography within the shifting terrains of urban space, visibility, and resistance. Look forward to performances, a workshop, a screening and a reading. Admission is free.

We are looking forward to welcoming you back in mid-March with the reopening of our play space, <a href="${link:{uuid:{df42e57d-a14a-4b44-a5e4-9d3e7dcab5a6},repository:{website},path:{/bfs-de/gropius-bau/programm/baubau}}}">BAUBAU</a> (on 22 March), and two exhibitions, <a href="${link:{uuid:{55d64239-53fe-4b12-8567-a63191c6cae4},repository:{website},path:{/bfs-de/gropius-bau/programm/2025/ausstellungen/vaginal-davis}}}">Vaginal Davis: Fabelhaftes Produkt</a> (from 21 March) and <a href="${link:{uuid:{9618c701-bd05-432e-b688-5943e1f7fc57},repository:{website},path:{/bfs-de/gropius-bau/programm/2025/ausstellungen/yoko-ono}}}">YOKO ONO: MUSIC OF THE MIND</a> (from 11 April). For details on opening hours and tickets, please visit our <a href="${link:{uuid:{62c3018b-bb40-46ce-8019-646ec5cd2e4a},repository:{website},path:{/bfs-de/gropius-bau/besuch/informationen}}}">Information &amp; Tickets</a> page. We look forward to seeing you soon!

See you in March!

Persistence of Vision

Working in New York City between the Stonewall uprising of 1969 and the onset of the AIDS crisis in the 1980s, Peter Hujar captured a pivotal cultural moment in piercing black-and-white photographs. In the exhibition Persistence of Vision, Hujar’s photographs are interspersed with contemporary works by New York City-based artist Liz Deschenes, opening up an intergenerational dialogue on photography.&nbsp;

Peter Hujar / Liz Deschenes

A&nbsp;Play Space for Kids

A Short History from 1900 to the Present

From sandpits to adventure playgrounds, urban play spaces have – throughout their evolution – taken many different forms. What has been the role of play in public space, both historically and in the present? Complementing BAUBAU, our free play space for kids, Gabriela Burkhalter’s Playing in the City presentation traces the history of playgrounds since their emergence in 1900 to today. The free presentation is open to all and can be seen in two rooms next to the play space’s entrance.

Playing in the City &nbsp;

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Located in the centre of Berlin, the Gropius Bau is a lively place to encounter art and each other. The internationally renowned institution stages large-scale exhibitions and performances by contemporary artists.

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Festivals & Programme Series

In spite of all the hostile oppression he has been facing in his own country, Ai Weiwei has decided to put on his largest one-man exhibition yet at Berlin’s Martin-Gropius-Bau. Across 3,000 square metres, 18 rooms and in the spectacular Lichthof he will display works and installations that were either designed specifically for the Martin-Gropius-Bau or have not yet been shown in Germany.
The name he has given to his exhibition is “Evidence”, a word that will be, a term well known beyond the English-speaking world from American crime series on TV to mean proof that will stand up in court. From his simple but spacious studio on the rural outskirts of Beijing, Ai Weiwei has created a deeply political exhibition for Berlin.
Ai Weiwei is an artist, architect and politician. Very few of his works do not contain hidden allusions to internal Chinese affairs or to the subject of “China and the West” in general. One must learn to spot the ironical historical and political references in his works, which he sends out into the world like messages in bottles.
Ai Weiwei is one of the most internationally renowned artists working today, this did not prevent the Chinese authorities from detaining him illegally for 81 days (81, 2014). He was kept in a cell in a secret prison where the light was switched on for 24 hours a day and he was always accompanied by two guards. He later reproduced the handcuffs with which had shackled him to a chair during his imprisonment from the precious material jade (Jade Handcuffs, 2013).
Random arrests and corruption happen to regular Chinese citizens on a daily basis. Ai Weiwei refuses to accept this status quo. He demands freedom of speech, a fair distribution of power, and multiparty democracy. The infinite variety of forms offered by conceptual art allows him to express his ideas in a country where freedom of expression does not exist.
He is also one of the most famous artists in China. In recent years, official Chinese propaganda has attempted to erase him from public consciousness. He is not allowed to exhibit in any museum in China. Ai Weiwei’s instant response to this tactic was to turn the Internet into his permanent exhibition space: his now banned blogposts are outstanding, as is his current presence on Instagram.
Although he is allowed to work in his studio, a dozen surveillance cameras have been placed before his door. His ironic response was to hang red lanterns on them and reproduce them in marble (Marble Surveillance Cameras, 2010). The actions of the regime have been incorporated into his conceptual art. Although he is allowed to travel within China, every step he takes is monitored by undercover agents. His passport has been confiscated to prevent him from travelling abroad.
Among the works and installations on display at the Martin-Gropius-Bau will be a golden copy of the zodiac sculptures (Golden Zodiac, 2011) cast in bronze (c. 1750) by Chinese craftsmen according to designs by the Europeans Castiglione and Benoist. They formed part of a kind of sun and water clock and were located in a garden commissioned by the Emperor which also featured buildings in the European style. In 1860, after the end of the Second Opium War, the entire garden was ransacked and torched by the rapacious British and French soldiers that had conquered Beijing in order to force China to take part in the opium trade. Some of these bronze zodiac figures found their way to Europe, and when they turned up in Paris in 2008 at an auction of Yves Saint-Laurent’s art collection they caused a sensation in the Chinese cultural sphere. Ai Weiwei does not accept the Chinese government’s stance, that these bronze figures are Chinese national treasures, declaring that, rather, they belong to the whole world.
Ai Weiwei recreates the disputed Pacific Diaoyu Islands (Diaoyu Islands, 2013) in marble taken from a quarry near Beijing for the exhibition at the Martin-Gropius-Bau. Formed from the same marble used by China’s emperors for the Forbidden City as well as by the country’s present rulers for the Mao Mausoleum, his intention is to give an artistic form to a conflict that threatens today’s globalized world.
These instant transformations of current political affairs into art are characteristic of some of the artist’s most important installations. Thus, the twisted reinforcing steel rods recall the terrible earthquake in Sichuan (Forge, 2008-2012; Forge bed, 2008-2012) and the 80,000 lives it claimed and through this, the mismanagement and corruption that exacerbated the disaster. The same can be said of his major work “1,800 Cans of Powdered Milk”, which he exhibited in Hong Kong for the first time in 2013 – a commentary on the scandal that erupted world-wide after Chinese children were poisoned by contaminated milk powder resulting from lax inspections.
Ai Weiwei often uses ancient Chinese materials as well. He has occasionally said, that he wants to provoke an emotional reaction in the spectator by using contradictory elements – for instance, when he dips ancient ceramic vases from the Han Dynasty period (202 BC – 220 AC) in car paint in the same shades as are currently en vogue with the German luxury car owners in Beijing (Han Dynasty Vases with Auto Paint, 2013).
He adopts an equally playful approach both to Serialism, an ancient tradition that can be found in historical Buddhist temples, as well as to Minimalism, which was characteristic of the Song Dynasty period (960-1126). Transferring Chinese art’s traditional and familiar iconography to today‘s “universal language” of globally practiced conceptual art.
In 2008, Ai Weiwei was invited by the Shanghai City Council to construct a very large studio. But upon its completion, the authorities had it instantaneously demolished within a single day, since the artist had dared to criticize the government. But Ai Weiwei created a work of art from his studio’s wreckage entitled “Souvenir from Shanghai” (2012).
In the large Lichthof of the Gropiusbau, the artist has assembled 6,000 simple wooden stools (Stools, 2014) of the type that have been used in the Chinese countryside for hundreds of years, since the Ming Dynasty (1368-1644). The result is an aesthetically pleasing, pixel-like work. These stools, according to Ai Weiwei, are an expression of the centuries-old aesthetic of rural China.
Ai Weiwei is promoting a dialogue with western audiences about China. His revolutionary use of conceptual art began in 1993, after he left New York to return to China, a country which only allowed its artists to use certain forms of expression. After all, whoever controls the form also controls the content. Ai Weiwei resisted this control, creating his own discourse on free speech and freedom to publish. The artists he most admires include Marcel Duchamp, Andy Warhol and Giorgio Morandi.
But Ai also sees himself in the tradition of the Chan (Zen) philosopher Hui Neng (638-713), whom he regards as the radical champion of unlimited expression, a man who rebelled against the Confucian-Buddhist orthodoxy of his time. During the Cultural Revolution (c. 1969), the Red Guards destroyed Hui‘s temple in southern China. His worship however, has since been resumed.
A comprehensive catalogue provides extensive background information on the exhibition with articles by Uta Rahman-Steinert on Ai Weiwei’s treatment of tradition; Wulf Herzogenrath on the artist’s various approaches to his art; Klaus Ruitenbeek on the Chinese element in the work of Ai Weiwei and by Thomas W. Eller on the material rhetoric of aesthetic resistance.
The aforementioned works written italics will be amongst the objects on display. The richly illustrated catalogue that accompanies the exhibition will be published by Prestel Verlag at a special exhibition price of 25 euros.
To the exhibition with the ticket Sparpreis Kultur of the Deutsche Bahn 
 Have a comfortable journey to the exhibition "Ai Weiwei" and back within three days with the Sparpreis Kultur. The saver ticket starts at € 39 in second class and € 59 in first class. Four further people may join the same journey and save € 10 each. It is valid within Germany and also available for ICE connections. 
 Children under 15 travel for free if they are accompanied by their parents or grandparents. Please note that the tickets must be purchased at least 3 days in advance and are subject to availability. The Sparpreis Kultur is only available from 1st January, 2014, in combination with an entrance ticket to the exhibition at the DB travel centres and DB agencies within Germany. <a href="http://www.bahn.de/kultur" target="_blank" title="www.bahn.de/kultur">www.bahn.de/kultur</a>

Modernism is the original creation of enlightened human beings, it is the ultimate observation of the meaning of existence and the misery of reality; it keeps a wary eye on society and power; it never makes compromises and never cooperates. Ai Weiwei 1997 (quoted from “Ai Weiwei - Der verbotene Blog”, Galiani: Berlin, 2011)
Despite all the incredible hostility shown him in his own country Ai Weiwei decided to put on his largest one-man exhibition yet in Berlin’s Martin-Gropius-Bau. On 3,000 square metres in 18 rooms and the spectacular Lichthof he will be displaying works and installations which were either designed for the Martin-Gropius-Bau or have not yet been shown in Germany.
The name he has given to his exhibition is “Evidence”, a term well known beyond the English-speaking world from American TV crime series in the meaning of proof that will stand up in court. It is a political exhibition that Ai Weiwei has designed for Berlin in his simple and spacious studio in the rural outskirts of Beijing.

Ai Weiwei – Evidence

Guided lunch tours through the exhibition “Ai Weiwei – Evidence”

Veranstaltungen Ai Weiwei – Evidence

Ausstellungen

Exhibitions 2014

2014

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Upcoming

The Berliner Festspiele organise a range of festivals and art exhibitions, concerts, dance and theatre performances, readings, lectures, debates and much more throughout the year. These events are presented at a range of locations across Berlin but are concentrated primarily at their own two venues: the Gropius Bau and the Haus der Berliner Festspiele.

Berliner Festspiele

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Theatertreffen-Blog Header

In 2026 the Berliner Festspiele celebrate their 75th anniversary. A selection of events programmed throughout the entire year engage take the anniversary as their theme or mark the occasion with works at the Haus der Berliner Festspiele, the Gropius Bau, the Philharmonie, on Berlin’s Ringbahn and at other locations in the city. Outstanding international that liberal societies and their cultural institutions face in a new, multipolar world order. artists such as Marina Abramović, Gabriele St&ouml;tzer and Akira Takayama will set the agenda both thematically and aesthetically. Entitled “Die gro&szlig;e Unordnung” (The Great Disorder), the four-day focus Reflexes &amp; Reflections will also enquire about the challenges.

75 Years of the Berliner Festspiele

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The massacre, hostage-taking and rocket attacks by Hamas have shaken us deeply. The grue-some attack on Israel on 7&nbsp;October left us stunned and initially lost for words.

The Berliner Festspiele on Current Events in Israel, Gaza and Germany

With this letter of intent, we, the signing cultural organizations, express our intention to welcome, host and stage Ukrainian theatre artists in our venues, to make Ukrainian dramatic work visible to the European community.

Support of the Ukrainian Cultural Scene

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In June 2026, Sasha Waltz &amp; Guests will be performing the productions Beethoven&nbsp;7 and In&nbsp;C at the Haus der Berliner Festspiele. Sasha Waltz &amp; Guests will also be staging a special evening to celebrate the 75th&nbsp;anniversary of the Goethe-Institut.

Sasha Waltz &amp; Guests

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Tickets for ten selected concert highlights of the Musikfest Berlin, which in 2026 will also mark the 75th&nbsp;anniversary of the Berliner Festspiele, are already available. The programme includes Gy&ouml;rgy Ligeti’s grotesquely humorous anti-opera Le Grand Macabre and George Gershwin’s Porgy and Bess.

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The exploration of myths and rituals shapes the fourth edition of the Performing Arts Season with works by Marina Abramović, Mario Banushi, Marie Chouinard, Anne Teresa De Keersmaeker / Rosas, Ictus, Bl!ndman, Dumb Type, Damien Jalet / Kohei Nawa and Gisèle Vienne. The programme will be published on 18 June, and advance ticket sales will start.

Performing Arts Season

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The Theatertreffen’s jury of critics announced their selection of the 10 most remarkable productions for the 2026 Theatertreffen. The programme will be published on 2&nbsp;April, advance ticket sale will begin on 18 April, 10:00.