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Gropius Bau

Gropius Bau 2023

Lunchführungen zur Ausstellung „Piet Mondrian. Die Linie“

Guided lunch tours through the exhibition “Piet Mondrian. The Line”

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Berliner Festspiele 75

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Reflexe und Reflexionen

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Located in the centre of Berlin, the Gropius Bau is a lively place for encounters with art and each other. As an internationally renowned exhibition centre, it offers space for major exhibitions and performances by contemporary artists.

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There are currently no exhibitions on view at Gropius Bau.

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Gropius Bau 2026

Events

Exhibitions & Projects

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Our newsletters keep you updated on current and upcoming exhibitions and events. Learn more about our kids programme and plan your next visit.

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We’re Looking Forward to Welcoming You Again in March!

Gropius Bau is currently closed for exhibition preparations. Our restaurant Beba and our bookstore will reopen on 4 March, before we kick off our spring programme, featuring a performance by <a href="${link:{uuid:{16d14ae2-9463-45b4-91de-95a846c0f377},repository:{website},path:{/bfs-de/gropius-bau/programm/2026/veranstaltungen/leila-hekmat}}}">Leila Hekmat</a>, the <a href="${link:{uuid:{fd3f9e70-97e8-46fb-b639-fc701f8d4039},repository:{website},path:{/bfs-de/gropius-bau/programm/baubau/veranstaltungen/baubau-play-day-pop-up-26}}}">big pop-up</a> of our play space BAUBAU and the opening of our <a href="${link:{uuid:{baa82be9-6411-41e5-806b-4889004c8459},repository:{website},path:{/bfs-de/gropius-bau/programm/2026/ausstellungen/peter-hujar-liz-deschenes}}}">Peter Hujar / Liz Deschenes</a> exhibition. Find more details in our <a href="${link:{uuid:{62c3018b-bb40-46ce-8019-646ec5cd2e4a},repository:{website},path:{/bfs-de/gropius-bau/besuch/informationen}}}">Information &amp; Tickets</a> section.

See You Soon

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Tickets for ten selected concert highlights of the Musikfest Berlin, which in 2026 will also mark the 75th anniversary of the Berliner Festspiele, are available. The programme includes Gy&ouml;rgy Ligeti’s grotesquely humorous anti-opera Le Grand Macabre and George Gershwin’s Porgy and Bess.

Musikfest Berlin

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In 2026 the Berliner Festspiele celebrate their 75th anniversary. A selection of events programmed throughout the entire year engage take the anniversary as their theme or mark the occasion with works at the Haus der Berliner Festspiele, the Gropius Bau, the Philharmonie Berlin, on Berlin’s Ringbahn and at other locations in the city.&nbsp;

75 Years of the Berliner Festspiele

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MaerzMusik invites you to concerts, performances, installations and discourse formats at the Haus der Berliner Festspiele and several other venues in Berlin. The programme will be announced on 29 January, with advance ticket sales beginning on the same day.is published; advance ticket sales are on.

MaerzMusik

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The Theatertreffen’s jury of critics announced their selection of the 10 most remarkable productions for the 2026 Theatertreffen. The programme will be published on 2 April, advance ticket sales will begin on 18 April at 10:00.

Theatertreffen

More Berliner Festspiele

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Leila Hekmat: Roses Rising – The Movement

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The Practice – What Moves Artists

The Practice – What Moves Artists&nbsp;is a book series by Gropius Bau that invites artists to showcase a practice that they pursue, that has influenced them or that has been with them for a long time. In the second volume of the series, artist, performer and author Vaginal Davis looks back on the saucy underground scenes of Los Angeles and Berlin together with former bandmates.&nbsp;On Dangerous Ground recounts past gigs, spectacular live performances and well-kept secrets.

Vaginal Davis: On Dangerous Ground

A Vibrant Place for Enganging with Art and Each Other

Located in the centre of Berlin, Gropius Bau is an internationally renowned institution that stages large-scale exhibitions and performances by contemporary artists. Its diverse events focus on exchange and discussion, bringing together local and global perspectives.

About Gropius Bau

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Widely regarded as one of the most original and influential artists of the 20th century, Diane Arbus’ bold black-and-white photographs demolish aesthetic conventions and upend all certainties. With&nbsp;Diane Arbus: Konstellationen, Gropius Bau presents the most comprehensive exhibition of her work to date.

Diane Arbus: Konstellationen

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Ligia Lewis is a central figure in redefining performance within the context of the visual arts. Her solo exhibition&nbsp;I’M NOT HERE FORRRRR… at Gropius Bau&nbsp;brings&nbsp;together new and existing works that explore themes of race, gender, violence and resistance.

Ligia Lewis:I’M NOT HERE FORRRRR...

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With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities.

BAUBAU:A&nbsp;Play Space for Kids

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What is and has been the role of play in public space? Gabriela Burkhalter’s&nbsp;Playing in the City&nbsp;presentation traces the history of playgrounds since their emergence in 1900 to today. The free presentation is open to all and can be seen in two rooms next to BAUBAU’s entrance.

Playing in the City:A Short History from 1900 to the Present

Currently at Gropius Bau

Widely regarded as one of the most original and influential artists of the 20th century, Diane Arbus’ bold black-and-white photographs demolish aesthetic conventions and upend all certainties. With Diane Arbus: Konstellationen, Gropius Bau presents the most comprehensive exhibition of her work to date. Featuring 454 prints, many of them shown here for the first time, Konstellationen offers new perspectives on Arbus’ iconic images and the wide range of her portraiture.

Ligia Lewis is a central figure in redefining performance within the context of the visual arts. In her multifaceted practice, she combines performance, live installation and film. From autumn 2025, Gropius Bau presents I’M NOT HERE FORRRRR…, the artist and choreographer’s most comprehensive solo exhibition to date. It brings together new and existing works that explore themes of race, gender, violence and resistance.

Ligia Lewis: I’M NOT HERE FORRRRR…

Current Exhibitions

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Marina Abramović: Balkan Erotic Epic. The Exhibition

Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities. They set the tone and decide what happens in this place.

BAUBAU

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Working in New York City between the Stonewall uprising of 1969 and the onset of the AIDS crisis in the 1980s, Peter Hujar captured a pivotal cultural moment in piercing black-and-white photographs. In the exhibition Persistence of Vision, Hujar’s photographs are interspersed with contemporary works by New York City-based artist Liz Deschenes, opening up an intergenerational dialogue on photography.&nbsp;

Peter Hujar / Liz Deschenes: Persistence of Vision

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One of the most influential performance artists of all time, Marina Abramović presents Balkan Erotic Epic. The Exhibition at Gropius Bau in spring 2026. The show traces her ongoing engagement with ritual, eroticism, death and the body as a site of political resistance. Drawing on the folklore of Abramović’s native Balkans, the exhibition weaves together filmic and sculptural installations with live performance.

Marina Abramović: Balkan Erotic Epic. The Exhibition

Upcoming

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With Bishop Black, Hugo Tepest, Perel, River Roux, Ulrike Ottinger

On 8 January, we’re kicking off the new year with another edition of our event series Sp&auml;tschicht, which we’re organising in collaboration with Schwules Museum. This edition centers the body as a place of negotiation, militantly rejecting society’s norms.

Sp&auml;tschicht x Schwules Museum

We are looking forward to welcoming you back in mid-March with the reopening of our play space, <a href="${link:{uuid:{df42e57d-a14a-4b44-a5e4-9d3e7dcab5a6},repository:{website},path:{/bfs-de/gropius-bau/programm/baubau}}}">BAUBAU</a> (on 22 March), and two exhibitions, <a href="${link:{uuid:{55d64239-53fe-4b12-8567-a63191c6cae4},repository:{website},path:{/bfs-de/gropius-bau/programm/2025/ausstellungen/vaginal-davis}}}">Vaginal Davis: Fabelhaftes Produkt</a> (from 21 March) and <a href="${link:{uuid:{9618c701-bd05-432e-b688-5943e1f7fc57},repository:{website},path:{/bfs-de/gropius-bau/programm/2025/ausstellungen/yoko-ono}}}">YOKO ONO: MUSIC OF THE MIND</a> (from 11 April). For details on opening hours and tickets, please visit our <a href="${link:{uuid:{62c3018b-bb40-46ce-8019-646ec5cd2e4a},repository:{website},path:{/bfs-de/gropius-bau/besuch/informationen}}}">Information &amp; Tickets</a> page. We look forward to seeing you soon!

See you in March!

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How does the bourgeois longing for revolt take shape, when the faith in progress and reason is unsettled? Berlin-based artist and director Leila Hekmat explores this question in her newly commissioned performance Roses Rising – The Movement, premiering in the Gropius Bau’s atrium. Moving between concert and ballet, the piece transforms the space into a landscape hovering between bunker, rehearsal room and dreamscape and invites the audience to witness a dinner party unravel into a happening.

Leila Hekmat: Roses Rising – The Movement &nbsp;

Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities.

Upcoming at Gropius Bau

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Located in the centre of Berlin, the Gropius Bau is a lively place to encounter art and each other. The internationally renowned institution stages large-scale exhibitions and performances by contemporary artists.

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Festivals & Programme Series

Ausstellungen 2015

The exhibition shows a wide range of works of the Gemeentemuseum Den Haag which owns the world´s largest Mondrian collection. Benno Tempel, the Director of the Gemeentemuseum Den Haag, facilitated this project. The exhibition was curated by Mondrian expert Hans Janssen, a curator at the Gemeentemuseum.
“The first element of my painting to change was colour”, noted Mondrian in 1941. When making this statement, he omitted the fact that he had already made significant reductions to his drawings by gradually emphasising the relationships and rhythmic structures between vertical and horizontal lines. This influenced his work with colour and he developed from a traditionalist into a protagonist of modern art.
Piet Mondrian was born to a primary school teacher in the city of Amersfoort in the province of Utrecht in Holland on 7th March 1872. His family followed a strict principle of Calvinism. Mondrian studied at the Rijksakademie van beeldende Kunsten in Amsterdam and was interested in the painters of the Hague School and their painting technique.
His central themes were most notably fields, farms, windmills and recurrently trees and riversides. Mondrian began experimenting in around 1905. He sought out changing styles of painting and painting techniques on his motifs according to their light modulation, choosing an impressionist style of painting for a landscape bathed in sunlight and a fauvist-expressionist style for a landscape in evening light. Critics started to pay attention to him and in 1910, the group “Moderne Kunst Kring” (Circle of Modern Art) was formed with artists Jan Toorop, Jan Sluyters and Piet Mondrian. In 1911, they exhibited their works in the “Moderne Kunst Kring” exhibition at the Stedelijk Museum in Amsterdam together with French avant-garde artists including Cézanne, Braque and Picasso.
In the same year, one of Mondrian’s works was also featured in the “Salon des Indépendants“ in Paris. He moved to Paris in 1912. At this time, his work was influenced by Cubism, but his artistic interest tended to focus on the structure and organisation of image areas. Mondrian formulated his pursuit of “harmony through the equality of lines, colours and areas“. He schematised landscapes and transformed natural motifs into abstract compositions while increasingly using lines as vertical and horizontal elements. In 1913, his works were featured in Herwarth Walden’s major exhibition “Erster Deutscher Herbstsalon“ in Berlin. In 1914, Mondrian visited his ailing father and didn’t return to Paris until after the First World War. He then continued to dismantle figurative elements. He referred to his works as “compositions“, explored theosophy and went on to label his style as “neoplasticism“.
In the 1920s and 1930s, Mondrian exhibited his works in many locations such as The Hague, Amsterdam, Rotterdam, Stockholm, Paris, New York, Dresden, Berlin, Potsdam and Vienna. His financial success, however, was a long time coming. In order to survive, he still painted watercolours of flowers and accepts contract works.
As an art theorist and co-founder of the “De Stijl“ group of artists founded by Dutch painters, architects, designers, graphic artists and poets in 1917, Mondrian wrote pieces such as Le Néo-Plasticisme, the German translation of which was published as the Bauhaus Book no. 5 under the title “Neue Gestaltung. Neo-Plastizismus, Nieuwe Beelding.“ (New Design. Neo-Plasticisim, Nieuwe Beelding) in 1925.
Mondrian continued to work on his ‘compositions’ by simplifying his use of lines down to their extremes or giving them rhythm by forming a complex lattice structure and adding a few coloured areas. His paintings are defamed in Germany after 1933 as degenerate, some of his works were exhibited at the exhibition “Degenerate Art” in Munich in 1937. The Nazi regime and the impending World War Two led him to move to London in 1938 before relocating to New York in 1940.
In the USA and in New York in particular, his work was met with a great deal of interest. Many artists who had fled from Europe lived in New York in the 1940s. During this time, Mondrian brightened up his new works by using primary colours in a mosaic style and in doing so, transcended his earlier strict compositions in favour of a new rhythmic approach to the motif that could almost be described as musical. Mondrian died from the effects of pneumonia in New York on 1st February 1944.
The laconic structure of his later works was and continues to be reflected in architecture, fashion, advertising and popular culture right up to the present day.

With his characteristic compositions of rectangles and black lines, Piet Mondrian (1872–1944) is regarded as one of the founders of abstract painting. He is considered to be a master of the composition of coloured areas. Through his method of strict reduction to the basic elements of painting, Mondrian created icons of classic modernism. A lesser-known fact, however, is that Mondrian started out by creating paintings in the impressionist style of the Hague School and explored different styles of art before lines and the organisation of image areas dominated his artistic creations. A new exhibition developed by the Gemeentemuseum Den Haag in cooperation with the Martin-Gropius-Bau now endeavours to illustrate this development in Mondrian’s works.
With about 50 paintings and drawings, the exhibition provides visitors with an insight into Mondrian’s quest for his own artistic path. The exhibition is the first major exhibition in Berlin to be dedicated to Mondrian since the opening exhibition of the Neue Nationalgalerie in 1968.

Piet Mondrian. Die Linie

Piet Mondrian. The Line

Veranstaltungen

Programme

Exhibitions 2015

2015

Programm

The Berliner Festspiele organise a range of festivals and art exhibitions, concerts, dance and theatre performances, readings, lectures, debates and much more throughout the year. These events are presented at a range of locations across Berlin but are concentrated primarily at their own two venues: the Gropius Bau and the Haus der Berliner Festspiele.

Berliner Festspiele

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furtherInformation

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In 2026 the Berliner Festspiele celebrate their 75th anniversary. A selection of events programmed throughout the entire year engage take the anniversary as their theme or mark the occasion with works at the Haus der Berliner Festspiele, the Gropius Bau, the Philharmonie, on Berlin’s Ringbahn and at other locations in the city. Outstanding international that liberal societies and their cultural institutions face in a new, multipolar world order. artists such as Marina Abramović, Gabriele St&ouml;tzer and Akira Takayama will set the agenda both thematically and aesthetically. Entitled “Die gro&szlig;e Unordnung” (The Great Disorder), the four-day focus Reflexes &amp; Reflections will also enquire about the challenges.

75 Years of the Berliner Festspiele

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The massacre, hostage-taking and rocket attacks by Hamas have shaken us deeply. The grue-some attack on Israel on 7&nbsp;October left us stunned and initially lost for words.

The Berliner Festspiele on Current Events in Israel, Gaza and Germany

With this letter of intent, we, the signing cultural organizations, express our intention to welcome, host and stage Ukrainian theatre artists in our venues, to make Ukrainian dramatic work visible to the European community.

Support of the Ukrainian Cultural Scene

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The Theatertreffen’s jury of critics announced their selection of the 10 most remarkable productions for the 2026 Theatertreffen. The programme will be published on 2&nbsp;April, advance ticket sale will begin on 18 April, 10:00.

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Tickets for ten selected concert highlights of the Musikfest Berlin, which in 2026 will also mark the 75th&nbsp;anniversary of the Berliner Festspiele, are already available. The programme includes Gy&ouml;rgy Ligeti’s grotesquely humorous anti-opera Le Grand Macabre and George Gershwin’s Porgy and Bess.

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The exploration of myths and rituals shapes the fourth edition of the Performing Arts Season with works by Marina Abramović, Mario Banushi, Marie Chouinard, Anne Teresa De Keersmaeker / Rosas, Ictus, Bl!ndman, Dumb Type, Damien Jalet / Kohei Nawa and Gisèle Vienne. The programme will be published on 18 June, and advance ticket sales will start.

Performing Arts Season

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A dance collage by John Neumeier which explores aspects of German expressive dance through music, texts and songs and commemorates the victims of Nazi rule. Guest performance of the National Youth Ballet John Neumeier.

The Invisibles

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The Berlinale as a guest at Haus der Berliner Festspiele

76th Berlin International Film Festival

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as a guest at Haus der Berliner Festspiele

25th international literature festival berlin

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Nina Laisné and François Chaignaud with Nadia Larcher

Último helecho

6 and 7 March 2026How does the bourgeois longing for revolt take shape, when the faith in progress and reason is unsettled? Berlin-based artist and director Leila Hekmat explores this question in her newly commissioned performance Roses Rising – The Movement, premiering in the Gropius Bau’s atrium. Moving between concert and ballet, the piece transforms the space into a landscape hovering between bunker, rehearsal room and dreamscape and invites the audience to witness a dinner party unravel into a happening.

Leila Hekmat: Roses Rising – The Movement

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19 March to 28 June 2026Working in New York City between the Stonewall uprising of 1969 and the onset of the AIDS crisis in the 1980s, Peter Hujar captured a pivotal cultural moment in piercing black-and-white photographs. In the exhibition Persistence of Vision, Hujar’s photographs are interspersed with contemporary works by New York City-based artist Liz Deschenes, opening up an intergenerational dialogue on photography.&nbsp;

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Reopening on 15 March 2026Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities.

Upcoming Exhibitions at the Gropius&nbsp;Bau