Reading List

Ligia Lewis’ practice is shaped by her engagement with a chorus of voices and multiple perspectives. The books listed here are floating across the exhibition spaces and invite you to linger and delve deeper into the ideas that resonate throughout her work.

Book selection: Nora-Swantje Almes, Julia Grosse, Ligia Lewis and Magnus Elias Rosengarten

A

  • Adichie, Chimamanda Ngozi (2025): Dream Count, Knopf
  • Adusei-Poku, Nana (2021): Taking Stakes in the Unknown: Tracing Post-Black Art, transcript Verlag
  • Aidoo, Ama Ata (1993): Changes: A Love Story, Feminist Press at The City University of New York
  • Aydemir, Fatma; Yaghoobifarah, Hengame (Hg.) (2019): Eure Heimat ist unser Albtraum, Ullstein fünf
  • Ayim, May (1986): Farbe bekennen [Showing Our Colors: Afro-German Women Speak Out], Orlanda Frauenverlag

B

  • Baldwin, James (1956): Giovanni’s Room, Dial Press
  • Bell, Derrick (1993): Faces at the Bottom of the Well: The Permanence of Racism, Basic Books
  • Bell, Julia (2020): Radical Attention, Peninsula Press
  • Bellacasa, MarÍa Puig de la (2017): Matters of Care: Speculative Ethics in More Than Human Worlds, University of Minnesota Press
  • Bennett, Brit (2020): The Vanishing Half, Dialogue Books
  • Berlin Postkolonial, Each One Teach One, Initiative Schwarze Menschen in Deutschland, Stiftung Stadtmuseum Berlin (2025): Dekoloniale: Erinnerungskultur in der Stadt / Memory Culture in the City, Falschrum Books
  • Bernasconi, Robert; Mann, Anika Maaza (2005): The Contradictions of Racism: Locke, Slavery and the Two Treatises. In: Valls, Andrew (eds.): Race and Racism in Modern Philosophy
  • of Bingen, Hildegard (1900): Scivias: Classics of Western Spirituality, Paulist Press
  • Bishop, Claire (2024): Disordered Attention: How We Look at Art and Performance Today, Verso Books
  • Del Boca, Angelo (1969): The Ethiopian War 1935-41, The University of Chicago Press
  • Du Bois, W. E. B. (1903): The Souls of Black Folk, A. C. McClurg & Co.
  • Borja-Villel, Manuel; Menezes, Hélio; Kilomba, Grada; Lima, Diana (eds.) (2022): choreographies of the impossible, catalogue of the 35th Bienal de São Paulo
  • Bourdieu, Pierre (1979): La distinction. Critique sociale du jugement, MINUIT
  • Boyle, T.C. (1981): Water Music, Little, Brown and Company
  • Bradley, Rizvana; Ferreira da Silva, Denise (2021): Four Theses on Aesthetics. In: e-flux Journal, Issue #120
  • Brand, Dionne; Sharpe, Christina (2022): Nomenclature, Duke University Press
  • Bridle, James (2022): Ways of Being, Penguin Books
  • Brown, Jericho (2019): The Tradition, Copper Canyon Press
  • Butler, Judith (2004): Precarious Life: The Powers of Mourning and Violence, Verso Books
  • Butler, Octavia (1993): Parable of the Sower, Four Walls Eight Windows

C

  • Callaloo (2010): ETHIOPIA: Literature, Art and Culture, Vol. 33, A Special Issue, Johns Hopkins University Press
  • Campt, Tina M. (2021): A Black Gaze: Artists Changing How We See, MIT Press
  • Carson, Anne (2025): The Gender of Sound, Silver Press
  • Coates, Ta-Nehisi (2015): Between the World and Me, Spiegel & Grau
  • Cohan, William D. (2018): Why Wall Street Matters, Allen Lane
  • Cole, Teju (2011): Open City, Random House
  • Condé, Maryse (1995): Crossing the Mangrove, Knopf Doubleday Publishing Group
  • Crenshaw, Kimberlé (1996): Critical Race Theory: The Key Writings That Formed the Movement, The New Press
  • Crimp, Douglas (2016): Before Pictures, The University of Chicago Press

D

  • Davis, Angela (1990): Class, Women, Culture and Politics, Knopf Doubleday Publishing Group
  • Diamond, Jared (1997): Guns, Germs and Steel: The Fates of Human Societies, W. W. Norton & Company
  • D’Olea, Dixa Ramirez (2019): Political Concepts: Indolence. On the occasion of the Political Concept-Initiative conference.
  • Dumas, Alexandre (1844, 1846): Le Comte de Monte-Cristo [The Count of Monte Christo]. In: Le Journal des débats

E

  • Eggers, Maureen Maisha; Kilomba, Grada; Piesche, Peggy; Arndt, Susan (eds.) (2005): Mythen, Masken und Subjekte. Kritische Weißseinsforschung in Deutschland, Unrast Verlag
  • El-Tayeb, Fatima (2025): Racialized Otherness in Post-Cold War Europe. Translated by Elisabeth Lauffer, MNG University Press
  • Ellison, Ralph (1952): The Invisible Man, Cambridge University Press
  • English, Darby (2019): To Describe a Life: Notes from the Intersection of Art and Race Terror, Yale University Press
  • Enszer, Julia R. (2016): The Complete Works of Pat Parker, ‎Sinister Wisdom
  • Enwezor, Okwui; Gupta, Atreyee (eds.) (2025): Postwar Revisited. A Global Art History, Duke University Press
  • Enwezor, Okwui (2025): Selected Writings, Volume 1: Toward a New African Art Discourse. Edited by Terry Smith, Duke University Press
  • Enwezor, Okwui (2025): Selected Writings, Volume 2: Curating the Postcolonial Condition. Edited by Terry Smith, Duke University Press
  • Eribon, Didier (2009): Retour à Reims [Returning to Reims], Flammarion

F

  • Farah, Hamishi (2020): Airport Love Theme, Book Works
  • Fanon, Frantz (1952): Peau noire, masques blancs [Black Skin, White Masks], Éditions du Seuil
  • Ferrer, Ada (2014): Freedom's Mirror: Cuba and Haiti in the Age of Revolution, Cambridge University Press
  • Fietzek, Gerti; Ander, Heike; Rottner, Nadja; Enwezor, Okwui (eds.) (2002): documenta11, catalogue, Hatje Cantz Verlag
  • Finsh, Aisha (2014): What Looks Like A Revolution: Enslaved Women and the Gendered Terrain of Slave Insurgencies in Cuba 1843–1844. In: Journal of Women’s History, Volume 26, Number 1, The Johns Hopkins University Press
  • Fisher, Gary (1996): Gary In Your Pocket: Stories and Notebooks of Gary Fisher. Edited by Eve Kosofsky Sedgwick, Duke University Press
  • Fisher, Mark (2013): Kapitalistischer Realismus ohne Alternative?, VSA: Verlag Hamburg

G

  • Gaines, Malik (2017): Nina Simone’s Quadruple Consciousness. In: Gaines, Malik: Black Performance on the Outskirts of the Left: A History of the Impossible, NYU Press
  • Gibba, Lamin Leroy (2024): Doppeltreppe zum Wald. In: Clerc, Anaïs; Gibba, Lamin Leroy; Nolte, Jakob; Sommerfeldt, Lisa; Wertheimer, Guido; Wyss, Leonie Lorena (eds.): Dramatische Rundschau 06, FISCHER Taschenbuch
  • Gikandi, Simon (2011): Slavery and the Culture of Taste, Princeton University Press
  • Gilroy, Paul (1993): The Black Atlantic: Modernity and Double Consciousness, Harvard University Press
  • Glissant, Édouard (1990): Poétique de la relation [Poetics of Relation], Gallimard
  • Götting, Michael (2015): Contrapunctus, Unrast Verlag
  • Golden, Thelma (1994): Black Male: Representations of Masculinity in Contemporary American Art, Whitney Museum of Art
  • Gombrich, E. H. (1950): The Story of Art, Phaidon
  • González, Jonathan (2025): Ways to Move: Black Insurgent Grammars, Ugly Duckling Presse
  • Graeber, David (2011): Debt: The First 5,000 Years, Gildan Media
  • Grosse, Julia; aus dem Moore, Elke; Mutumba, Yvette (Hgg.) (2017): I am built inside you, C& Magazine

H

  • Halifu, Osumare (2007): The Africanist Aesthetic in Global Hip-Hop. Power Moves, Palgrave Macmillan
  • Hall, Rebecca (2022): Wake: The Hidden History of Women-Led Slave Revolts, Simon & Shuster
  • Hartman, Saidiya (1997): Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America, Oxford University Press
  • Hartman, Saidiya (2008): Lose Your Mother: A Journey Along the Atlantic Slave Route, Farrar, Straus and Giroux
  • Hartman, Saidiya (2020): The Plot of Her Undoing. In: Notes on Feminism: Saidiya Hartman, Feminist Art Coalition
  • Hartman, Saidiya (2020): Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals, W. W. Norton & Company
  • Hemphill, Essex (2025): Love is a Dangerous Word. Edited by John Keene and Robert F. Reid-Pharr, New Directions Publishing Corporation
  • Hemphill, Essex (2025): Essex Hemphill: Take care of your blessings. Edited by Camille Brown, The Phillips Collection
  • Henry, Paget (2000): Caliban’s Reason. Introducing Afro-Caribbean Philosophy, Routledge
  • Hersey, Tricia (2022): Rest is Resistance: Free Yourself from Grind Culture and Reclaim Your Life, Aster
  • Hooks, Bell (1994): Teaching to Transgress: Education as the Practice of Freedom, Routledge

I

J

  • JacksonZakiyyah Iman (2016): Sense of things. In: Catalyst: Feminism, Theory, Technoscience, 2
  • Jackson, Zakiyyah Iman (2020): Becoming Human: Matter and Meaning in an Antiblack World, NYU Press
  • Jacobs, Harriet (1861): Incidents in the Life of a Slave Girl. Written by Herself, Thayer & Eldridge
  • Jones, Daniel Alexander; Gumbs, Alexis Pauline (2021): Particle and Wave: A Conversation, 53rd State Press

K

  • Kafka, Franz (1915): Die Verwandlung [The Metamorphosis], Kurt Wolff Verlag
  • Kelley, Robin D. G. (2002): Freedom Dreams: The Black Radical Imagination, Beacon Press
  • Kelly, Natasha A. (2019): Millis Erwachen / Milli’s Awakening, Orlanda
  • Kelly, Natasha A. (2023): Deutsch. Weiblich. Schwarz: Warum Feminismus mehr als Geschlechtergerechtigkeit fordern muss, Piper
  • Khani, Behzad Karim (2024): Als wir Schwäne waren, Hanser Berlin
  • Khelil, Farah (2023): Effet de Serre [Greenhouse Effect], Les presses du reel
  • Kilomba, Grada (2008): Plantation Memories: Episodes of Everyday Racism, Unrast Verlag
  • Kimmerer, Robin Wall (2015): Braiding Seagrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants, Milkweed Editions
  • Kincaid, Jamaica (2020): A Small Place, Farrar, Straus and Giroux
  • Kohn, Eduardo (2013): How Forests Think: Toward an Anthropology Beyond the Human, University of California Press
  • Kouoh, Koyo (2013): Condition Report: Symposium on Building Art Institutions in Africa, Hatje Cantz Verlag

L

  • Lawson, Shayla (2018): I think I’m Ready to See Frank Ocean, Saturnalia Books
  • Lax, Thomas J. (2016): Ralph Lemon: Modern Dance, The Museum of Modern Art
  • Louis, Édouard (2018): Qui a tué mon père [Who killed my father], Éditions du Seuil
  • De Lorenzi, James (2025): Feasting on History: Ethiopia and the Orientalists, Columbia University Press

M

  • Malaquais, Dominique; Khouri, Nicole (2016): Afrique-Asie. Arts, espaces, pratique, Presses universitaires de Rouen et du Havre
  • do Mar Castro Varela, María; Dhawan, Nikita (2005): Postkoloniale Theorie: Eine kritische Einführung, Transcript
  • McLaughlin, Rosanna (2025): Against Morality, transversal texts
  • Mengiste, Maaza; Ginwala, Natasha (2023): Rewriting History as a Chorus: Maaza Mengiste and Natasha Ginwala in Conversation. In: Gropius Bau Journal
  • Mengiste, Maaza (2019): The Shadow King, Norton & Company
  • Mercer, Kobena (1994): Welcome to the Jungle: New Positions in Black Cultural Studies, Routledge
  • Morrison, Toni (1992): Playing in the Dark: Whiteness and the Literary Imagination, Harvard University Press
  • Morton, Timothy (2013): Hyperobjects: Philosophy and Ecology after the End of the World, University of Minnesota Press
  • Moten, Fred (2003): In the Break: The Aesthetics of the Black Radical Tradition, University of Minnesota Press
  • Moten, Fred; Harvey, Stefano (2013): The Undercommons: Fugitive Planning & Black Study, Minor Compositions
  • Muñoz, José Esteban (2019): Cruising Utopia, 10th Anniversary Edition: The Then and There of Queer Futurity, NYU Press

N

  • Nash, Jennifer C. (2014): The Black Body in Ecstasy: Reading Race, Reading Pornography, Duke University Press
  • Nash, Mark (2016): Red Africa: Affective Communities and the Cold War, Black Dog Publishing
  • Ndikung, Bonaventure Soh Bejeng (2025): In a While or Two We Will Find the Tone: Essays and Proposals, Curatorial Concepts and Critiques, Archive Books
  • Ndikung, Bonaventure Soh Bejeng; Hillgärtner, Jule; Kaczmarek, Nele (eds.) (2021): THE FACULTY OF SENSING – Thinking With, Through, and by Anton Wilhelm Amo, Kunstverein Braunschweig and Mousse Publishing
  • N’Sondé, Wilfried (2021): Femme du ciel et des tempêtes, Actes Sud
  • Nyong’o, Tavia (2025): Black Apocalypse: Afrofuturism at the End of the World, University of California Press

O

  • Oforiatta Ayim, Nana (2019): The God Child, Bloomsbury UK
  • Oliveros, Pauline (2022): Quantum Listening, Silver Press
  • Otoo, Sharon Dodua (2021): Adas Raum [Ada’s Room], S. Fischer Verlag
  • Ovid (2009): Metamorphoses. A new translation by A. D. Melville. Edited by E. J. Kennedy, Oxford University Press

P

  • Phillips, Rasheedah (2025): Dismantling the Master’s Clock: On Race, Space, and Time, AK Press
  • Piper, Adrian (2018): Escape to Berlin: A Travel Memoir, APRA Foundation Berlin
  • Pitts, Johny (2019): Afropean: Notes from Black Europe, Penguin Books
  • Poupeye, Veerle (1998): Caribbean Art, Thames & Hudson

Q

R

  • Regaya, Nour; Al-Dujaili, Dalia (2023): An Archive of Love, Middle East Archive
  • Reid-Pharr, Robert (1999): Conjugal Union: The Body, The House, and the Black American, Oxford University Press
  • Ribeiro, Djamila; Kisukidi, Nadia Yala (2021): Dialogue transatlantique: Perspectives de la pensée féministe noire et des diasporas africaines, Anacaona
  • Roig, Emilia (2021): Why We Matter: Das Ende Der Unterdrückung, Aufbau Taschenbuch Verlag
  • Rolnik, Suely (2023): Spheres of Insurrection: Notes on Decolonizing the Unconscious, Polity Press
  • Ross, Fran (2019): Oreo. Translated into German by Pieke Biermann, dtv Verlag
  • Russel, Legacy (2020): Glitch Feminism: A Manifesto, Verso

S

  • Saar, Felwine (2019): Afrotopia. Translated by Drew S. Burk and Sarah Jones-Boardman, University of Minnesota Press
  • Sahebi, Gilda (2025): Verbinden statt spalten: Eine Antwort auf die Politik der Polarisierung, S. Fischer
  • Salle, Grégory (2022): Superyachts: Luxe, calme et écocide, Éditions Amsterdam
  • Schulze, Frederik; Wolfesberger, Philipp (2025): Dekoloniale Theorien zur Einführung, Junius Verlag
  • Scott, David (2018): Preface: Evil Beyond Repair. In: Small Axe: A Caribbean Journal of Criticism, Vol. 22(1), Duke University Press
  • Scott, David (1998): The Re-Enchantment of Humanism: An Interview with Sylvia Wynter. In: Small Axe: A Caribbean Journal of Criticism, Vol. 4(2), Duke University Press
  • Sehgal, Melanie; Wilkie, Alex (eds.) (2024): More-Than-Human Aesthetics: Venturing Beyond the Bifurcation of Nature, Bristol University Press
  • Shames, Stephen; Huggings, Ericka (2022): Comrade Sisters: Women of the Black Panther Party, ACC Art Books
  • Sharpe, Christina (2016): In the Wake: On Blackness and Being, Duke University Press
  • Sherwood. Marika (2021): Claudia Jones: A Life in Exile, Radical Black Women Series, Vol. 1, Lawrence & Wishart Ltd
  • SHOWstudio (2022): Lookbook: TELFAR A/W 22
  • Smith, Zadie (2016): Swing Time, Hamish Hamilton
  • Spillers, Hortense (1987): Mama’s Baby, Papa’s Maybe: An American Grammar Book, Rutgers University Press
  • Spillers, Hortense (2003): Black, White, and in Color: Essays on American Literature and Culture, University of Chicago Press
  • Stelling, Anke (2020): Schäfchen im Trockenen [Higher Ground], Verbrecher Verlag
  • Stephens, Michelle Ann (2014): Skin Acts: Race, Psychoanalysis, and the Black Male Performer, Duke University Press

T

  • Tarkovsky, Andrej (2009): Die versiegelte Zeit: Gedanken zur Kunst, zur Ästhetik und Poetik des Films, Alexander Verlag
  • Thiam, Awa (2024): La parole aux négresses, Éditions Divergences
  • wa Thiang’o, Ngugi (2011): Globaletics: Theory and the Politics of Knowing, Global University Press
  • Transforming Solidarities (eds.) (2025): Solidaritäten transformieren: Praktiken und Infrastrukturen in der Migrationsgesellschaft, adocs
  • Turnheim, Max (2025): The Use of Space, éditions HKP

U

V

  • Varatharajah, Sinthujan (2022): an alle orte, die hinter uns liegen, hanserblau
  • Vazquez, Alexandra T. (2022): The Florida Room, Duke University Press
  • Vergès, Françoise (2019): Un féminisme décolonial [A Decolonial Feminism], La Fabrique
  • Antonio Viego, Antonio (2007): Dead Subjects: Toward a Politics of Loss in Latino Studies, Duke University Press
  • Vogel, Shane (2009): Scene Of Harlem Cabaret, Race, Sexuality, Performance, The University of Chicago Press

W

  • Wainaina, Binyavanga (2022): How to Write about Africa, Hamish Hamilton
  • Webster, Jamieson (2025): On Breathing: Care in a Time of Catastrophe, Catapult
  • Weheliye, Alexander Ghedi (2005): Phonographies: Grooves in Sonic Afro-Modernity, Duke University Press
  • Weheliye, Alexander Ghedi (2014): Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human, Duke University Press
  • Welchman, Jennifer (1995): Locke on Slavery and Inalienable Rights, Cambridge University Press
  • Wellershaus, Elisabeth (2023): Wo die Fremde beginnt, Verlag C.H. Beck
  • Wenzel, Olivia (2022): 1000 Serpentinen Angst, FISCHER Taschenbuch
  • West, Cornel (1993): Race Matters, Beacon Press
  • Whitson, Sage Ni’Ja (2025): Transtraterrestrial: Dark Matter and Black Divinities, Wesleyan University Press
  • Willis, Deborah (2000): Reflections in Black: A History of Black Photographers 1840 to the Present, W. W. Norton & Company
  • Willis, Deborah (2021): The Black Civil War Soldier: A Visual History of Conflict and Citizenship, NYU Press
  • Wittstock, Uwe (2024): Marseille 1940: Die große Flucht der Literatur, C.H. Beck
  • Wood, Catherina (2022): Performance in Contemporary Art: A History and Celebration, Tate Publishing
  • Woodard, Vincent (2014): The Delectable Negro: Human Consumption and Homoeroticism within US Slave Culture, NYU Press
  • Wudtke, Ina (2023): Black Studium: A Tribute to Fasia Jansen, Hilarius Gilges & Joseph Ekwe Bilé, Eigenverlag
  • Wynter, Sylvia (2003): Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation – An Argument, Michigan State University Press

X

Y

  • Yusoff, Kathryne (2018): A Billion Black Anthropocenes or None, University of Minnesota Press

Z