Wednesday 15 September 2010 | 10.00 – 24.00Venue: Martin-Gropius-Bau<h2>Programme</h2>10:30 | 12:00 | 13:30 | 15:00 | 16:30 | 18:00 | 19:30 | 21:00 | 22:30Guided tours through the exhibitionTeotihuacan – Mexico’s Mysterious Pyramid City10.00 and 17:00, Cinema Hall„Teotihuacan – Mexikos r&auml;tselhafte Pyramiden“A film by National Geographic51 min.15:00 and 19:00, Cinema Hall„Qué viva México“A film by Sergei M. EisensteinUSA 1979, with Martin Hernandez, Félix Balderas, David Liceaga and othersca. 85 min.16:00, 20:00 and 22:00Music by Mariachi Internacional EL DORADO

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Lange Nacht aus Anlass des 200. Jahrestages der Unabhängigkeit Mexikos

Long Night on the Occasion of 200 Years of Mexican Independence

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Reflexe und Reflexionen

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Located in the centre of Berlin, the Gropius Bau is a lively place for encounters with art and each other. As an internationally renowned exhibition centre, it offers space for major exhibitions and performances by contemporary artists.

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There are currently no exhibitions on view at Gropius Bau.

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Gropius Bau 2026

Events

Exhibitions & Projects

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Our newsletters keep you updated on current and upcoming exhibitions and events. Learn more about our kids programme and plan your next visit.

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We’re Looking Forward to Welcoming You Again in March!

Gropius Bau is currently closed for exhibition preparations. Our restaurant Beba and our bookstore will reopen on 4 March, before we kick off our spring programme, featuring a performance by <a href="${link:{uuid:{16d14ae2-9463-45b4-91de-95a846c0f377},repository:{website},path:{/bfs-de/gropius-bau/programm/2026/veranstaltungen/leila-hekmat}}}">Leila Hekmat</a>, the <a href="${link:{uuid:{fd3f9e70-97e8-46fb-b639-fc701f8d4039},repository:{website},path:{/bfs-de/gropius-bau/programm/baubau/veranstaltungen/baubau-play-day-pop-up-26}}}">big pop-up</a> of our play space BAUBAU and the opening of our <a href="${link:{uuid:{baa82be9-6411-41e5-806b-4889004c8459},repository:{website},path:{/bfs-de/gropius-bau/programm/2026/ausstellungen/peter-hujar-liz-deschenes}}}">Peter Hujar / Liz Deschenes</a> exhibition. Find more details in our <a href="${link:{uuid:{62c3018b-bb40-46ce-8019-646ec5cd2e4a},repository:{website},path:{/bfs-de/gropius-bau/besuch/informationen}}}">Information &amp; Tickets</a> section.

See You Soon

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Balkan Erotic Epic. The Exhibition

Marina Abramović

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With Andrew Durbin, Biliana Voutchkova, Gary Schneider, Queer Analog Darkroom and Selin Davasse – free admission

Sp&auml;tschicht x C/O Berlin

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Tickets for ten selected concert highlights of the Musikfest Berlin, which in 2026 will also mark the 75th anniversary of the Berliner Festspiele, are available. The programme includes Gy&ouml;rgy Ligeti’s grotesquely humorous anti-opera Le Grand Macabre and George Gershwin’s Porgy and Bess.

Musikfest Berlin

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In 2026 the Berliner Festspiele celebrate their 75th anniversary. A selection of events programmed throughout the entire year engage take the anniversary as their theme or mark the occasion with works at the Haus der Berliner Festspiele, the Gropius Bau, the Philharmonie Berlin, on Berlin’s Ringbahn and at other locations in the city.&nbsp;

75 Years of the Berliner Festspiele

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The programme has been published. Advance ticket sales will start on 18&nbsp;April at 10:00.

Theatertreffen

More Berliner Festspiele

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The programme has been published. Tickets are available now. Selected from more than 700&nbsp;productions, Theatertreffen once again presents the 10&nbsp;most remarkable productions of the year in May. The festival is complemented by the new format Mehr Drama! as well as a series of conversations curated by Matthias Dell on aesthetic, social and culture-political issues.

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The Practice – What Moves Artists

The Practice – What Moves Artists&nbsp;is a book series by Gropius Bau that invites artists to showcase a practice that they pursue, that has influenced them or that has been with them for a long time. In the third volume of the series On the Erotic, performance artist Marina Abramović talks about female sexuality after menopause, the eroticism of the masses and her love for the planet.

Marina Abramović: On the Erotic

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A Vibrant Place for Enganging with Art and Each Other

Located in the centre of Berlin, Gropius Bau is a lively place to encounter art and each other. The internationally renowned institution is part of the Berliner Festspiele and stages large-scale exhibitions and performances by contemporary artists, offering new perspectives on our present.

About Gropius Bau

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The Practice – What Moves Artists&nbsp;is a book series by Gropius Bau that invites artists to showcase a practice that they pursue, that has influenced them or that has been with them for a long time. In the second volume of the series, artist, performer and author Vaginal Davis looks back on the saucy underground scenes of Los Angeles and Berlin together with former bandmates.&nbsp;On Dangerous Ground recounts past gigs, spectacular live performances and well-kept secrets.

Vaginal Davis: On Dangerous Ground

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Widely regarded as one of the most original and influential artists of the 20th century, Diane Arbus’ bold black-and-white photographs demolish aesthetic conventions and upend all certainties. With&nbsp;Diane Arbus: Konstellationen, Gropius Bau presents the most comprehensive exhibition of her work to date.

Diane Arbus: Konstellationen

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Ligia Lewis is a central figure in redefining performance within the context of the visual arts. Her solo exhibition&nbsp;I’M NOT HERE FORRRRR… at Gropius Bau&nbsp;brings&nbsp;together new and existing works that explore themes of race, gender, violence and resistance.

Ligia Lewis:I’M NOT HERE FORRRRR...

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With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities.

BAUBAU:A&nbsp;Play Space for Kids

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What is and has been the role of play in public space? Gabriela Burkhalter’s&nbsp;Playing in the City&nbsp;presentation traces the history of playgrounds since their emergence in 1900 to today. The free presentation is open to all and can be seen in two rooms next to BAUBAU’s entrance.

Playing in the City:A Short History from 1900 to the Present

Currently at Gropius Bau

Widely regarded as one of the most original and influential artists of the 20th century, Diane Arbus’ bold black-and-white photographs demolish aesthetic conventions and upend all certainties. With Diane Arbus: Konstellationen, Gropius Bau presents the most comprehensive exhibition of her work to date. Featuring 454 prints, many of them shown here for the first time, Konstellationen offers new perspectives on Arbus’ iconic images and the wide range of her portraiture.

Ligia Lewis is a central figure in redefining performance within the context of the visual arts. In her multifaceted practice, she combines performance, live installation and film. From autumn 2025, Gropius Bau presents I’M NOT HERE FORRRRR…, the artist and choreographer’s most comprehensive solo exhibition to date. It brings together new and existing works that explore themes of race, gender, violence and resistance.

Ligia Lewis: I’M NOT HERE FORRRRR…

Current Exhibitions

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Peter Hujar / Liz Deschenes: Persistence of Vision

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Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities. They set the tone and decide what happens in this place.

BAUBAU

Spielen in der Stadt

A Short History from 1900 to the Present

What has been the role of play in public space, both historically and in the present? Complementing BAUBAU, our free play space for kids, Gabriela Burkhalter’s Playing in the City presentation traces the history of playgrounds since their emergence in 1900 to today. The free presentation is open to all and can be seen in two rooms next to the play space’s entrance.

Playing in the City

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Marina Abramović, one of the most influential contemporary artists, presents Balkan Erotic Epic. The Exhibition at Gropius Bau, marking her first major solo show in Berlin since the 1990s. The exhibition brings together historical and new works by the performance artist, tracing her ongoing engagement with ritual, eroticism, death and the body as a site of political resistance.

Marina Abramović: Balkan Erotic Epic. The Exhibition

Currently and Upcoming

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With Andrew Durbin, Biliana Voutchkova, Gary Schneider, Queer Analog Darkroom and Selin Davasse

On the occasion of <a href="${link:{uuid:{baa82be9-6411-41e5-806b-4889004c8459},repository:{website},path:{/bfs-de/gropius-bau/programm/2026/ausstellungen/peter-hujar-liz-deschenes}}}">Peter Hujar / Liz Deschenes: Persistence of Vision</a>, Sp&auml;tschicht x C/O Berlin turns its focus on 26 March to photography within the shifting terrains of urban space, visibility, and resistance. Look forward to performances, a workshop, a screening and a reading. Admission is free.

We are looking forward to welcoming you back in mid-March with the reopening of our play space, <a href="${link:{uuid:{df42e57d-a14a-4b44-a5e4-9d3e7dcab5a6},repository:{website},path:{/bfs-de/gropius-bau/programm/baubau}}}">BAUBAU</a> (on 22 March), and two exhibitions, <a href="${link:{uuid:{55d64239-53fe-4b12-8567-a63191c6cae4},repository:{website},path:{/bfs-de/gropius-bau/programm/2025/ausstellungen/vaginal-davis}}}">Vaginal Davis: Fabelhaftes Produkt</a> (from 21 March) and <a href="${link:{uuid:{9618c701-bd05-432e-b688-5943e1f7fc57},repository:{website},path:{/bfs-de/gropius-bau/programm/2025/ausstellungen/yoko-ono}}}">YOKO ONO: MUSIC OF THE MIND</a> (from 11 April). For details on opening hours and tickets, please visit our <a href="${link:{uuid:{62c3018b-bb40-46ce-8019-646ec5cd2e4a},repository:{website},path:{/bfs-de/gropius-bau/besuch/informationen}}}">Information &amp; Tickets</a> page. We look forward to seeing you soon!

See you in March!

Persistence of Vision

Working in New York City between the Stonewall uprising of 1969 and the onset of the AIDS crisis in the 1980s, Peter Hujar captured a pivotal cultural moment in piercing black-and-white photographs. In the exhibition Persistence of Vision, Hujar’s photographs are interspersed with contemporary works by New York City-based artist Liz Deschenes, opening up an intergenerational dialogue on photography.&nbsp;

Peter Hujar / Liz Deschenes

A&nbsp;Play Space for Kids

A Short History from 1900 to the Present

From sandpits to adventure playgrounds, urban play spaces have – throughout their evolution – taken many different forms. What has been the role of play in public space, both historically and in the present? Complementing BAUBAU, our free play space for kids, Gabriela Burkhalter’s Playing in the City presentation traces the history of playgrounds since their emergence in 1900 to today. The free presentation is open to all and can be seen in two rooms next to the play space’s entrance.

Playing in the City &nbsp;

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Located in the centre of Berlin, the Gropius Bau is a lively place to encounter art and each other. The internationally renowned institution stages large-scale exhibitions and performances by contemporary artists.

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Festivals & Programme Series

Ausstellungen 2010

“Teotihuacan – Mexico’s Mysterious Pyramid City” is the name of an exhibition to be presented by the Martin-Gropius-Bau from 1 July to 10 October 2010. More than 450 outstanding objects giving a comprehensive insight into the art, everyday life and religion of this enigmatic culture will be on view in Europe for the first time. They include specimens of monumental architecture, filigree vessels and figures, costly stone carvings, masks, statues of gods and representations of animals as well as examples of highly symbolic murals which have retained their brilliant colours since their creation some 2,000 years ago. Permission has been given for the first (and probably the last) time for the 15 large-format fragments of murals to be sent abroad. Numerous exhibits were only discovered in the latest excavations.
In its Classical Epoch (100 B.C. to 650 A.D.) Teotihuacan was the first, largest and most influential metropolis on the American continent. Some thousand years later, in the 14th century, when the Aztecs discovered the abandoned ruins of the city, they gave it the name of Teotihuacan – “the place at which men become gods” – and used it as the setting for their own creation myth.
<h3>Archaeological Site</h3>
Located nearly 50 kilometres to the north of Mexico City, Teotihuacan has had UNESCO heritage status since 1987 and is the most frequently visited of Mexico’s 170 accessible archaeological sites. The pyramid city lies in a wide valley that has been settled since time immemorial. Between the first century B.C. and about 650 A.D. the inhabitants laid out a unique Ceremonial Centre on the basis of astronomical observations. The main pyramids are the 63-metre-high Pyramid of the Sun, (Pirámide del Sol) with a lateral length of 215 metres, and the 48-metre-high Pyramid of the Moon (Pirámide de la Luna) at the northern end of the two kilometre-long Avenue of the Dead (Calzada de los Muertos). The southern end of the ensemble, of which only a fraction has been excavated and studied, is dominated by what the Spaniards called the “Citadel” (Ciudadela), containing the Temple of Quetzalcoatl, the Feathered Serpent (Templo de la Serpiente Emplumada), and the Aztec Rain God, Tlaloc, which is decorated with 365 sculptures of these divinities. In this complex and under the Pyramid of the Moon archaeologists have made important discoveries in recent decades, showing that burials and sacrificial offerings, wars and taking of captives, were part of everyday life in Teotihuacan.
<h3>The City</h3>
Until its mysterious end in the 7th century, which was accompanied by a devastating fire, Teotihuacan was a powerful political, military, economic and cultural centre that influenced the whole of Mesoamerica, especially in the fields of architecture and art. The area covered by the city, which in its heyday was home to over 160,000 people and was one of the greatest cities in the world, was about 20 square kilometres. It was laid out along wide avenues and had efficiently functioning drainage and water-supply systems. The imposing and splendid pyramids, temples and palaces were coated with stucco and decorated with murals in brilliant colours. There were public buildings, administrative quarters, and various residential areas. Particularly worthy of note are the accommodations and workshops kept for visiting artists, craftsmen and traders from such places as Oaxaca or the Maya cities, who contributed to the city’s prosperity.
<h3>The Exhibition</h3>
Treasures from leading Mexican museums have been brought together for this exhibition. Most of the exhibits come from the National Museum of Anthropology in Mexico City and the two museums in Teotihuacan itself. In addition, the Anahuacalli Museum – built by Diego Rivera for his collection of pre-Spanish sculptures – has for the first time lent valuable items.
The exhibition is divided into nine sections. The first item to welcome the visitor is the Great Jaguar of Xalla, one of the more recent finds from a palace complex and a characteristic example of decorative monumental architecture. An introduction to the development of the city and its archaeological history is followed by a section on architecture and town planning as represented by sculptures, friezes and murals. The social themes of politics, hierarchies, economy, war and commerce are represented by a multitude of objects, including stone sculptures, clay vessels and jade jewellery. Obsidian, for example, was the material from which weapons were made, Teotihuacan being a great manufactory of weapons. There is a spectacular reconstruction of a tomb found under the Pyramid of the Moon in the course of an excavation campaign in 1998-2004. Original objects are shown in glass cases. A special category may be seen in the “innkeeper figures”, which house inside them tiny, elaborately shaped figurines arranged as in a seedling box. Religion, gods and rituals, urban and social life, art, crafts and workshops as well as cultural exchange are further themes of this unique show, which displays a wealth of new findings.
<h3>In memoriam Felipe Solís Olguin (1944–2009)</h3>
The initiator and curator of this exhibition was Felipe Solís Olguín, who had brought the “Aztecs” to Berlin in 2003. The director of the world-famous “Museo Nacional de Antropología” in Mexico City died in April 2009, a few weeks before the great show opened there. The exhibition is dedicated to his memory.
<h3>Mexico Celebrates its Bicentenario</h3>
In 2010 Mexico celebrates a double jubilee: the bicentenary of the beginning of its independence struggle in 1810 and the centenary of the outbreak of the Mexican Revolution a century later. The exhibitions on “Frida Kahlo – Retrospective” (30 April to 9 August) and “Teotihuacan – Mexico’s Mysterious Pyramid City” (1 July to 10 October) in the Martin-Gropius-Bau are part of the cultural programme that Mexico is presenting abroad within the framework of the jubilee celebrations.

Teotihuacan

Long Night on the Occasion of 200 Years of Mexican Independence 

Veranstaltungen Teotihuacan

Exhibitions 2010

2010

Programm

Programme

Upcoming

The Berliner Festspiele organise a range of festivals and art exhibitions, concerts, dance and theatre performances, readings, lectures, debates and much more throughout the year. These events are presented at a range of locations across Berlin but are concentrated primarily at their own two venues: the Gropius Bau and the Haus der Berliner Festspiele.

Berliner Festspiele

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In 2026 the Berliner Festspiele celebrate their 75th anniversary. A selection of events programmed throughout the entire year engage take the anniversary as their theme or mark the occasion with works at the Haus der Berliner Festspiele, the Gropius Bau, the Philharmonie, on Berlin’s Ringbahn and at other locations in the city. Outstanding international that liberal societies and their cultural institutions face in a new, multipolar world order. artists such as Marina Abramović, Gabriele St&ouml;tzer and Akira Takayama will set the agenda both thematically and aesthetically. Entitled “Die gro&szlig;e Unordnung” (The Great Disorder), the four-day focus Reflexes &amp; Reflections will also enquire about the challenges.

75 Years of the Berliner Festspiele

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The massacre, hostage-taking and rocket attacks by Hamas have shaken us deeply. The grue-some attack on Israel on 7&nbsp;October left us stunned and initially lost for words.

The Berliner Festspiele on Current Events in Israel, Gaza and Germany

With this letter of intent, we, the signing cultural organizations, express our intention to welcome, host and stage Ukrainian theatre artists in our venues, to make Ukrainian dramatic work visible to the European community.

Support of the Ukrainian Cultural Scene

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In June 2026, Sasha Waltz &amp; Guests will be performing the productions Beethoven&nbsp;7 and In&nbsp;C at the Haus der Berliner Festspiele. Sasha Waltz &amp; Guests will also be staging a special evening to celebrate the 75th&nbsp;anniversary of the Goethe-Institut.

Sasha Waltz &amp; Guests

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Tickets for ten selected concert highlights of the Musikfest Berlin, which in 2026 will also mark the 75th&nbsp;anniversary of the Berliner Festspiele, are already available. The programme includes Gy&ouml;rgy Ligeti’s grotesquely humorous anti-opera Le Grand Macabre and George Gershwin’s Porgy and Bess.

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In August 2026, the festival Tanz im August will return to the Haus der Berliner Festspiele with several productions. Tickets for Sounding Light are already available. The other productions will be published in June.

Tanz im August

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The exploration of myths and rituals shapes the fourth edition of the Performing Arts Season with works by Marina Abramović, Mario Banushi, Marie Chouinard, Anne Teresa De Keersmaeker / Rosas, Ictus, Bl!ndman, Dumb Type, Damien Jalet / Kohei Nawa and Gisèle Vienne. The programme will be published on 18 June, and advance ticket sales will start.