Germaine Krull (1897-1985) was a prominent photographer in 1920s and ‘30s Paris, who shaped the history of photography with her experimental shots and photo articles for magazines like VU, Variété and Jazz. She is one of the protagonists of modern-day photography, yet her work has rarely been explored, and only presented at a few exhibitions. After the large exhibition at the Folkwang Museum in Essen in 1999, the Martin-Gropius-Bau, in co-operation with the Jeu de Paume Paris, is dedicating a retrospective to the focus areas of her work and her aesthetic innovations.
The Würth Collection is one of the largest private collections in Europe, containing more than 16,800 works of art. The most important of the classic modern artists are represented, as well as masterpieces from the Middle Ages and classic works of contemporary art. The unusual exhibition is a gain for the Kunstherbst Berlin. With more than 400 works of art of international significance, the collection will be presented to the public in a scope never previously seen, in an exhibition space of 5,000 square meters.
Exhibition poster “From Hockney to Holbein. The Würth Collection in Berlin”
A multitude of varied events shaped the rapprochement of Germans and Russians after the end of World War II. Cooperation between the German-Russian Museum Berlin-Karlshorst and the State Archive of the Russian Federation has produced an exhibition that focuses on important landmarks in the post-1945 process of reconciliation of these former enemies.
With his characteristic compositions of rectangles and black lines, Piet Mondrian (1872–1944) is regarded as one of the founders of abstract painting. He is considered to be a master of the composition of coloured areas. Through his method of strict reduction to the basic elements of painting, Mondrian created icons of classic modernism. A lesser-known fact, however, is that Mondrian started out by creating paintings in the impressionist style of the Hague School and explored different styles of art before lines and the organisation of image areas dominated his artistic creations. A new exhibition developed by the Gemeentemuseum Den Haag in cooperation with the Martin-Gropius-Bau now endeavours to illustrate this development in Mondrian’s works.
Exhibition poster “Piet Mondrian. The Line”. Image: Piet Mondrian, Komposition in Oval mit Farbflächen 2
© Image: Gemeentemuseum Den Haag, The Netherlands. Poster design: Ta-Trung
The Deutsches Filmmuseum, Frankfurt am Main, presents the exhibition “Fassbinder – NOW” in nine rooms at the Martin-Gropius-Bau, Berlin, from 6th May to 23rd August 2015, to mark Rainer Werner Fassbinder’s 70th birthday on 31st May. The presentation provides a new impetus to engage with one of the most significant German directors.
The presentation of the works of Tino Sehgal can be seen in two houses: An exhibition at the Martin-Gropius-Bau and a further work by Tino Sehgal can be seen during the international performing arts festival Foreign Affairs at the Haus der Berliner Festspiele. Like no other artist of his generation, Berliner Tino Sehgal represents a radical redefinition of art and its experience. Sehgal constructs situations rather than material objects. His media are the human voice, physical movements and social interaction that are initiated and enacted by the interpreters of the work who address visitors through conversation, song and choreography.
On the occasion of the 50th anniversary of establishment of German-Israeli relations, the Tel Aviv Museum of Art is sending some 70 masterpieces to Europe for the first time – to Berlin. The accent of the exhibition lies on the art of the modern era and is supplemented by contemporary media art from Israel. Artistic trends of the 20th century are represented by paintings, sculpture and graphic art.
Exhibition poster “Jahrhundertzeichen. Tel Aviv Museum of Art visits Berlina”. Image: Mark Rothko: No. 24 (Untitled), 1951. Gift of The Mark Rothko Foundation, Inc., New York, through the American Friends of the Tel Aviv Museum of Art, 1986
© Kate Rothko-Prizel & Christopher Rothko / VG Bild-Kunst, Bonn 2015 / Photo Avraham Hay. Poster design: Ta-Trung
For the first time artworks from Oceania are the subjects of an exhibition at the Martin-Gropius-Bau. They come from an area on the middle and lower reaches of the river Sepik in Papua-New Guinea. About 220 artworks from twelve lenders – some of Europe’s most prominent museums are involved – will be on view. As early as the beginning of the 20th century the aesthetics of the art of the Sepik region were fascinating European scholars and artists, Berlin and Basel being centres of Sepik scholarship.
Exhibition poster “Dance of the Ancestors. Art from the Sepik of Papua New Guinea”. Image: Mask, lower Sepik River. Papua New Guinea. Before 1920
© Image: Museum der Kulturen Basel, photo: Claude Germain. Poster design: Ta-Trung
Over 50 years after the founding of the ZERO movement the exhibition is devoted not only to the first founding artists Heinz Mack, Otto Piene and Günther Uecker, nor even just to these international artists who were close to ZERO such as Yves Klein and Lucio Fontana, but also to such forgotten artists as Hermann Goepfert, Oskar Holweck or Hans Salentin. The 40 artists selected, including 11 from Germany, reflect the ideas of the ZERO founders, both in a formal and a conceptual sense. For the first time major works of the international movement from 1957 to 1967 are being shown together on a grand scale.
Liu Xia, born in Beijing, is one of the most remarkable artists from China. She is a photographer and painter, poet and novelist. During the relatively liberal 1980s, she was an active member of the art scene in Beijing, which at the time was experimental and beginning to open up to the world. Today, the Martin-Gropius-Bau presents her photographic work, with around 50 objects, many of which were created during the 1990s. The exhibition also dedicates space to her poems.
Exhibition poster “Liu Xia – A photographer from China”. Image: Liu Xia: Untitled. From the “ugly babies” series, 1996-1999
Photo © Liu Xia, courtesy of Guy Sorman. Poster design: Ta-Trung