A self-portrait by Gabriele Stötzer, painted with black patterns, capturing herself in the mirror with an analog camera.

Gabriele Stötzer, Mir gegenüber – Selbst im Spiegel, 1985 © VG Bild-Kunst, Bonn 2026

Gabriele Stötzer: Dabei sein und nicht schweigen

Press Conference

We cordially invite you to the press preview of Gabriele Stötzer: Dabei sein und nicht schweigen on 18 June 2026 at 11:00.  

RSVP: Please register via our onlineform. For interview requests with the artist Gabriele Stötzer or curator Julia Grosse, please contact presse@gropiusbau.de.

For more than five decades, Gabriele Stötzer has been grappling with questions of justice, gender and self-determination. Her own body often plays a central role in her work – not as an object, but as a site of resistance and feminist self-assertion. Opening at Gropius Bau in June 2026, Dabei sein und nicht schweigen will be the artist’s largest institutional solo exhibition to date. Stötzer’s artistic practice is inextricably linked to her social and political engagement. In 1976, she was detained for organising a petition, which the GDR authorities declared a “defamation of state.” Following a year-long imprisonment, she joined the literary and artistic underground and later co-founded the art collective Künstlerinnengruppe Erfurt.

Many of her works formulate radical counter-concepts to state repression and control by pushing boundaries through experimentation and making space for vulnerability and desire. With around 150 works, the exhibition highlights the diversity of her œuvre – encompassing painting, literature, photography, textile art, Super 8 film, performance and public interventions – and intends to catalyse the long-overdue broader recognition of this groundbreaking artist.  

Curated by Julia Grosse, Strategic Consulting and Conceptual Development, Gropius Bau, with Christopher Wierling, Assistant Curator, Gropius Bau

Gabriele Stötzer: Dabei sein und nicht schweigen is funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation).

Press Images

A selection of press images is available for media coverage of Gabriele Stötzer: Dabei sein und nicht schweigen. Please contact presse@gropiusbau.de to request the login data to download high res press images.

The images can be downloaded and used free of charge prior to and during the exhibition period. Please note that images may not be cropped, overprinted or modified. We look forward to receiving any digital or hardcopy samples of publications.

Please forward or send them to the following address:

Gropius Bau
Birgit Schapow / Press Office
Niederkirchnerstraße 7
10963 Berlin
presse@gropiusbau.de

A self-portrait by Gabriele Stötzer, painted with black patterns, capturing herself in the mirror with an analog camera.

Gabriele Stötzer, Mir gegenüber – Selbst im Spiegel, 1985

© VG Bild-Kunst, Bonn 2025

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A black‑and‑white profile portrait of a person with the head slightly tilted upward. Wide, dark paint stripes run diagonally across the face and down the neck, crossing the forehead, eye area, and cheek.

Gabriele Stötzer, Die Auslöschung eines Blicks – Ich trage meine Wunden heute offen, 1983, Courtesy: Gabriele Stötzer, photo: Heike Stephan

© VG Bild-Kunst, Bonn 2026

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A collage composed of multiple black‑and‑white photographs arranged in a pyramid‑like structure. The images show heads and faces in side and frontal views. In several photographs, the faces are partially covered or overpainted with dark markings or mask-like shapes. The photographs are placed closely together, with slight variations in angle, framing, and surface coverage.

Gabriele Stötzer, Die Auslöschung eines Blicks – Ich trage meine Wunden heute offen, 1983, Courtesy: Gabriele Stötzer, photo: Heike Stephan

© VG Bild-Kunst, Bonn 2026

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A large rectangular surface with a predominantly purple background and a vertical pale yellow stripe running down the center. Delicate, sketch-like drawings in blue, black, and violet are spread across the surface, including abstract lines, organic shapes, and occasional figurative elements. The painted marks appear translucent and evenly distributed.

Gabriele Stötzer, Bettbezug II, 1993/94, Courtesy: Gabriele Stötzer

© VG Bild-Kunst, Bonn 2026

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A circular object featuring hand-drawn, colored imagery. Two stylized, animal-like figures in black, blue, and pink face each other and partially overlap. Linear, sketch-like markings appear between the figures. The handwritten word “ENDE” is visible along the lower edge.

Gabriele Stötzer, Sphinx, die sich in den Schwanz beißt, 1983, Courtesy: Gabriele Stötzer

Gabriele Stötzer, Sphinx, die sich in den Schwanz beißt, 1983, glazed ceramic plate, 27,5 x 27,5 cm, Courtesy: Gabriele Stötzer

© VG Bild-Kunst, Bonn 2026

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Black‑and‑white photograph showing three pairs of legs spread apart and positioned one behind the other in a receding perspective, opening the view between the legs on the vulvas.

Gabriele Stötzer, Hüpstedt, 1981, Courtesy: Gabriele Stötzer, photo: Ralf Klement © VG Bild-Kunst, Bonn 2026

© VG Bild-Kunst, Bonn 2026

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An arrangement of multiple black-and-white photographs displayed in a regular grid. Each photograph shows a standing or slightly moving human figure completely wrapped in light-colored fabric. The figure appears at varying distances from the camera and in slightly different positions against a dark background.

Gabriele Stötzer, Mumie, 1984/2025, Courtesy: Gabriele Stötzer

© VG Bild-Kunst, Bonn 2026

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A horizontal sequence of black-and-white portrait photographs arranged side by side. Each image shows a face at a similar distance, with slight variations in head position and viewing angle. Parts of the faces appear blurred, partially obscured, or softened by motion, causing the images to blend into one another visually.

Gabriele Stötzer, Gesten - Selbstinszenierung, 1981, Courtesy: Gabriele Stötzer, photo: Cornelia Schleime © VG Bild-Kunst, Bonn 2026

© VG Bild-Kunst, Bonn 2026

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A vertical panel composed of multiple black-and-white photographs arranged in rows and columns. The top row shows frontal views of faces with neutral expressions. Below are serial images of body sections, including upper torsos with chest areas, abdominal sections, areas with visible body hair, and feet.

Gabriele Stötzer, Heilerde – Gesamt, 1982/2024, Courtesy: Gabriele Stötzer / Galerie Loock, Berlin

© VG Bild-Kunst, Bonn 2026

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A hanging anthropomorphic figure made of textile-like materials. The figure has a dark purple, fluffy-looking body with arms and legs extended. The head is round, light yellow, and textured.

Gabriele Stötzer, Die unbotmäßige Frau, 2022, Courtesy: Gabriele Stötzer

© VG Bild-Kunst, Bonn 2026

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A grid composed of multiple black‑and‑white close-up photographs focusing on mouth areas, showing lips and the surrounding region. Each image presents slight variations in lip shape, opening, and tension, as well as small shifts in framing.

vGabriele Stötzer, Lippen mit Draht, 1983, Courtesy: Gabriele Stötzer

© VG Bild-Kunst, Bonn 2026

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A framed painting showing a stylized human figure rendered in a geometric manner against a gray background. The figure is painted in red, yellow, blue, and black tones and stands slightly off-center with one bent leg. Linear arrows and straight markings extend horizontally and vertically across the background surface.

Gabriele Stötzer, Regenbogenfrau, 1978/79, Courtesy: Gabriele Stötzer

© VG Bild-Kunst, Bonn 2026

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